以康定斯基为例阐释古典精神在现代绘画中的绵延关系

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英文篇名：An Interpretation on Continuous Relationship of Classical Spirit in Modern Painting:A Case Study on Kandinsky 作者：王振 ; 张瑞琪 英文作者：WANG Zhen;ZHANG Rui-qi;College of Philosophy,Nankai University;School of Humanities,Tianjin University of Finance and Economics; 关键词：古典精神 ; 抽象绘画 ; 康定斯基 ; 绵延关系 英文关键词：classical spirit;;abstract painting;;Kandinsky;;continuous relationship 中文刊名：MYXK 英文刊名：Journal of Aesthetic Education 机构：南开大学哲学院;天津财经大学人文学院; 出版日期：2019-01-20 出版单位：美育学刊 年：2019 期：v.10;No.50 语种：中文; 页：MYXK201901024 页数：7 CN：01 ISSN：33-1367/G4 分类号：109-115

摘要

19世纪末20世纪初西方绘画进入了以抽象形式为特征的现代主义时期,这与以自然写实造型为特点的古典主义风格截然不同。二者虽然在形式风格上存在着差异,但在主体创作的内在心理机制方面却有着连续性的绵延关系。康定斯基是现代抽象绘画的集大成者,他创建的抒情抽象形式和艺术精神理论成为揭示这种内在绵延关系的有力代表。通过康定斯基了解古典精神在现代绘画中的绵延关系可以更加深刻地认识西方绘画发展的整体脉络。
        The western painting witnessed the modernist period from the end of 19th century and the beginning of the 20th century,characterized by abstract form,which distinguishes it from classicism featured by natural realism modelling. Different as they are in terms of form and style,with regard to the inner psychological mechanism of subject creation,they have a continuous relationship with each other. Kandinsky,a prime representative of modern abstract painting,created the form of lyrical abstraction and the theory of art spirit,explicitly disclosed this inner continuous relationship. The overall context of western painting development is supposed to be understood in depth by means of Kandinsky's interpretation on the continuous relationship of classical spirit in modern painting.

引文

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