论“卡拉角勒哈”的当代传承
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摘要
地处丝绸之路经济带的新疆哈萨克族舞蹈"卡拉角勒哈"的当代传承需要受到更多的关注和多渠道的规范传承。从民间传承、群众传承、教学传承三个层面角度观察"卡拉角勒哈"的当代传承现象,可以发现立足于民族文化本位,进行当代创造性转化、创新性发展是这一民族传统艺术在当代语境下繁衍、继承、丰富和发展的重中之重。
Being located in the Silk Road Economic Belt,the Kazakhs dance of " Kara Jorga",as an intangible cultural heritage,should be paid more attention and be given multichannel normative inheritance. Analyzing the aspects of local inheritance,public inheritance and school inheritance,this paper argues that it is essential and beneficial for the inheritance and development of traditional ethnic art to transform and recreate contemporarily based on the traditional culture in its own right.
Being located in the Silk Road Economic Belt,the Kazakhs dance of " Kara Jorga",as an intangible cultural heritage,should be paid more attention and be given multichannel normative inheritance. Analyzing the aspects of local inheritance,public inheritance and school inheritance,this paper argues that it is essential and beneficial for the inheritance and development of traditional ethnic art to transform and recreate contemporarily based on the traditional culture in its own right.
引文
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[7]李季莲.保护传统舞蹈资源发展新疆民族艺术[J].新疆艺术学院学报,2003,1(1):6-9.
[8]新疆日报.新疆辉煌60年:非遗保护与传承:延续中华文脉[J].新疆日报,2015.
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[10]谢雯雯,古丽米娜·麦麦提.回眸独特的新疆乐舞文化传统:评《中国民间舞蹈集成:新疆卷》[J].大学教育科学,2017(1).
[11]潘志涛.中国民族民间舞发展的再思考[J].北京舞蹈学院学报,2014(5):1-4.
[2]周亚成.哈萨克族民间传统技艺的传承与发展:以阿什里哈萨克民族乡胡阿根村为例[J].新疆大学学报(哲学人文社会科学汉文版),2006,34(2):85-89.
[3]陈江琼.对卡拉角勒哈的再认识[J].舞蹈,2013(9):52-53.
[4]陈江琼.哈萨克族民间舞蹈卡拉角勒哈源流之我见[J].边疆经济与文化,2015(9):118-120.
[5]聂晶川.规模最大的哈萨克族民族歌舞展演活动:“卡拉角勒哈”[J].新疆社科论坛,2011(2):100.
[6]张涛.论哈萨克族舞蹈与维吾尔族舞蹈的异同[J].经营管理者,2017(32).
[7]李季莲.保护传统舞蹈资源发展新疆民族艺术[J].新疆艺术学院学报,2003,1(1):6-9.
[8]新疆日报.新疆辉煌60年:非遗保护与传承:延续中华文脉[J].新疆日报,2015.
[9]高哈尔·巴哈提.浅析哈萨克传统舞蹈:卡拉角勒哈的诞辰与发展[J].牡丹,2016(2):104-106.
[10]谢雯雯,古丽米娜·麦麦提.回眸独特的新疆乐舞文化传统:评《中国民间舞蹈集成:新疆卷》[J].大学教育科学,2017(1).
[11]潘志涛.中国民族民间舞发展的再思考[J].北京舞蹈学院学报,2014(5):1-4.