非遗语境下民间传统手工艺的当代传承
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摘要
当代社会的飞速发展与国家对优秀传统文化的重视,为非遗语境下民间传统手工艺的当代传承创造了丰富的条件,同时也拓展出新的发展思路。结合当代的新思想、新文化环境、新传播媒介、新技术以及新成果,提出非遗语境下的民间传统手工艺应突破传统观念,改革传授形式;充分发挥互联网、市场以及政府等在推广传播方面的优势;合理运用新技术继承前人的精湛技艺,启示后人青出于蓝;不断加强交流合作,学习国内外同行的经验,开启新的发展格局。此外,为进一步确保民间传统手工艺的健康发展,还梳理了构建良好的"大行业"生态的基本措施。
The rapid development of contemporary society and the high value of the state on excel-lent traditional culture have created abundant conditions for the inheritance of folk traditional handicraftin the contemporary context of "non-legacy" and expanded new ways for its development. Combining withthe contemporary new ideas, new cultural environment, new media, new technology and new achievements,this paper puts forward that the traditional folk handicraft in the context of "non-legacy" should breakthrough the traditional concepts and reform the form of teaching; give full play to the advantages of promo-tion and dissemination through the Internet, the market and the government; utilize the new technologyproperly to inherit the exquisite skills of predecessors and inspire future generations to surpass; and con-stantly strengthen exchanges and cooperation and learn from the good experience of our counterparts athome and abroad to build up a new development pattern. In addition, in order to further ensure thehealthy development of folk traditional handicraft, the basic measures to build a better "Big Industry" ecol-ogy are also sorted out here.
The rapid development of contemporary society and the high value of the state on excel-lent traditional culture have created abundant conditions for the inheritance of folk traditional handicraftin the contemporary context of "non-legacy" and expanded new ways for its development. Combining withthe contemporary new ideas, new cultural environment, new media, new technology and new achievements,this paper puts forward that the traditional folk handicraft in the context of "non-legacy" should breakthrough the traditional concepts and reform the form of teaching; give full play to the advantages of promo-tion and dissemination through the Internet, the market and the government; utilize the new technologyproperly to inherit the exquisite skills of predecessors and inspire future generations to surpass; and con-stantly strengthen exchanges and cooperation and learn from the good experience of our counterparts athome and abroad to build up a new development pattern. In addition, in order to further ensure thehealthy development of folk traditional handicraft, the basic measures to build a better "Big Industry" ecol-ogy are also sorted out here.
引文
[1]国务院办公厅.国务院办公厅关于转发文化部等部门中国传统工艺振兴计划的通知[EB/OL].[2018-05-18].http://www.gov.cn/zhengce/content/2017-03/24/content_5180388.htm.
[2]陈青.手艺的新美学[M].上海:上海人民美术出版社,2012:129-130.
[3](日)樱花编辑事务所.京都手艺人[M].高阶秀尔,大野木启人,监修.长沙:湖南美术出版社,2015:3.
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[5](晋)陈寿.三国志[M].北京:光明日报出版社,2012:86.
[6]华丽志.传统手工艺怎么活下去?日本京都这六位匠人后代是这么做的![EB/OL].[2018-05-18].https://www.sohu.com/a/139897532_487885,2017-05-11.
[7](法)卢梭.爱弥儿[M].成墨初,李彦芳,译.武汉:武汉大学出版社,2014:90.
[8](西汉)桓宽.盐铁论[M].陈桐生,注释.北京:中华书局,2015:136.
[2]陈青.手艺的新美学[M].上海:上海人民美术出版社,2012:129-130.
[3](日)樱花编辑事务所.京都手艺人[M].高阶秀尔,大野木启人,监修.长沙:湖南美术出版社,2015:3.
[4]陕西省文化厅,陕西省非物质文化遗产保护中心.陕西剪纸·咸阳渭南卷[M].西安:陕西人民美术出版社,2013:24.
[5](晋)陈寿.三国志[M].北京:光明日报出版社,2012:86.
[6]华丽志.传统手工艺怎么活下去?日本京都这六位匠人后代是这么做的![EB/OL].[2018-05-18].https://www.sohu.com/a/139897532_487885,2017-05-11.
[7](法)卢梭.爱弥儿[M].成墨初,李彦芳,译.武汉:武汉大学出版社,2014:90.
[8](西汉)桓宽.盐铁论[M].陈桐生,注释.北京:中华书局,2015:136.