胶结材料在彩绘类文物保护修复中的应用案例
|
摘要
我国的彩绘类文物数量多、分布广,已成为各个时代文化的重要标识符号。每年都有大量可移动和不可移动的彩绘类文物需要被保护修复。在漫长的历史演变过程中,各类彩绘文物经历了环境的侵蚀与自然灾害的破坏,出现不同程度的风化褪色、起甲脱落、酥粉、空鼓、滋生霉菌、脱落、剥落、断裂等病害,保护修复难度大。为了保护和修复这些弥足珍贵的彩绘类文物,便于科学研究和陈列展示,胶结材料的选择与应用是关键。文章从胶结材料出发,选择有代表性的丙烯酸酯类、硅酸乙酯类、动植物胶等胶结材料,给出了其于彩绘类文物保护修复中成功应用的实例,为今后的彩绘类文物保护修复实践提供参考和借鉴。
Polychrome culture relics in our country are great in number and wide in distribution and have become important cultural signs and symbols of all eras. A large number of polychrome culture relics including movable cultural relics and immovable ones need to be conserved and restored every year. Polychrome culture relics are difficult to be conserved because most of them have undergone varying degrees of weathering fading, shedding, chalking, hollowing, mildewing, desquamation, breaking, etc. due to historical changes, environmental erosion and the destruction of natural disasters. The selection and application of binding materials is crucial in the conservation and restoration of these valuable polychrome cultural relics for scientific research and display. Starting from the binding material, this paper selects some examples of the successful application of representative binding materials such as acrylate, ethyl silicates, animal and plant gums and other binding materials for the conservation and restoration of polychrome cultural relics, which is intended to provide the reference in the future conservation and restoration of polychrome cultural relics.
Polychrome culture relics in our country are great in number and wide in distribution and have become important cultural signs and symbols of all eras. A large number of polychrome culture relics including movable cultural relics and immovable ones need to be conserved and restored every year. Polychrome culture relics are difficult to be conserved because most of them have undergone varying degrees of weathering fading, shedding, chalking, hollowing, mildewing, desquamation, breaking, etc. due to historical changes, environmental erosion and the destruction of natural disasters. The selection and application of binding materials is crucial in the conservation and restoration of these valuable polychrome cultural relics for scientific research and display. Starting from the binding material, this paper selects some examples of the successful application of representative binding materials such as acrylate, ethyl silicates, animal and plant gums and other binding materials for the conservation and restoration of polychrome cultural relics, which is intended to provide the reference in the future conservation and restoration of polychrome cultural relics.
引文
[1]BRUGNARA M,DEGASPERI E,DELLA V C,et al.The application of the contact angle in monument protection:new materials and methods[J].Colloids and Surfaces A:Physicochemical and Engineering Aspects,2004(241):1-3.
[2]郭宏,黄槐武,谢日万,等.广西富川百柱庙建筑彩绘的保护修复研究[J].文物保护与考古科学,2003,15(4):31-36.
[3]李宁民,马宏林,周萍,等.天水伏羲庙先天殿外檐古建油饰彩画保护修复[J].文博,2005(5):52-54.
[4]杨蕊.洛阳关林49号、50号唐墓壁画揭取及思考[J].中国文物科学研究,2009(2):74-79.
[5]王丽琴,杨璐,党高潮,等.改性B72文物保护材料耐光老化性能研究[J].西北大学学报(自然科学版),2006,36(5):761-764.
[6]龚德才,奚三彩,张金萍,等.常熟彩衣堂彩绘保护研究[J].东南文化,2001(10):80-83.
[7]兰德省,容波,夏寅,等.彩绘回帖技术在秦代高级军吏俑保护修复中的应用[J].文物保护与考古科学,2016(2):60-66.
[8]杨蕊.北宋富弼墓壁画的揭取及修复保护[J].文物保护与考古科学,2010,22(1):70-76.
[9]马楠.曲阜孔庙启圣祠彩画的保护修复实验[J].文物春秋,2012(2):82-86.
[10]严静,王啸啸,杨军昌,等.南京堂子街太平天国壁画再保护[J].文物保护与考古科学,2015(2):94-101.
[11]张尚欣,付倩丽,黄建华,等.秦俑二号坑出土一件彩绘跪射俑的保护修复[J].文物保护与考古科学,2012,24(4):109-116.
[12]马洪星,吴晓静.湾漳北朝墓壁画的二次修复[J].文物春秋,2008(3):58-60.
[13]范怀心.潮湿环境下壁画修复材料初步研究[D].兰州:兰州理工大学,2010.
[14]容波,朱振宇,王春燕,等.北魏彩绘砂岩佛教造像的保护修复[J].文物修复与研究,2007,3:269-274.
[15]WANG L Q,DANG G C,WANG X Q,et al.Analysis and protection of one thousand hand Buddha in Dazu stone sculptures[J].Chinese Journal of Chemistry,2004,22(2):172-176.
[16]杨隽永,万俐,陈步荣,等.印山越国王陵墓坑边坡化学加固试验研究[J].岩石力学与工程学报,2010,29(11):2370-2376.
[17]秦始皇帝陵博物院,中科院上海有机所,中科院上海硅酸盐所,西安交大,西北大学.出土陶质彩绘文物保护关键技术研究[M].北京:科学出版社,2014.
[18]孙晓强,对明代廖纪墓出土彩陶粉彩层的保护[J].文物保护与考古科学,1999,11(1):31-35.
[19]李钢.对一件馆藏东汉陶马进行抢救性修复保护[J].文物保护与考古科学,2008,20(1):61-64.
[20]张欢.许盟刚.刘成,等.可逆性加固剂在彩绘陶器覆土清理中的应用[J].文博,2009(6):419-426.
[21]卢秀善.天梯山石窟壁画病害及其修复[J].丝绸之路,2015(18):60-63.
[22]龚德才,王鸣军.传统材料及方法在江苏古建筑彩绘保护中的应用:漫谈江苏常熟严呐宅明代彩绘的保护研究[J].文博,2009(6):541-551.
[23]李蔓,赵学峰,申慧玲,等.河北磁县北宋墓葬壁画保护与修复浅谈[J].文物保护与考古科学,2017,29(2):100-104.
[2]郭宏,黄槐武,谢日万,等.广西富川百柱庙建筑彩绘的保护修复研究[J].文物保护与考古科学,2003,15(4):31-36.
[3]李宁民,马宏林,周萍,等.天水伏羲庙先天殿外檐古建油饰彩画保护修复[J].文博,2005(5):52-54.
[4]杨蕊.洛阳关林49号、50号唐墓壁画揭取及思考[J].中国文物科学研究,2009(2):74-79.
[5]王丽琴,杨璐,党高潮,等.改性B72文物保护材料耐光老化性能研究[J].西北大学学报(自然科学版),2006,36(5):761-764.
[6]龚德才,奚三彩,张金萍,等.常熟彩衣堂彩绘保护研究[J].东南文化,2001(10):80-83.
[7]兰德省,容波,夏寅,等.彩绘回帖技术在秦代高级军吏俑保护修复中的应用[J].文物保护与考古科学,2016(2):60-66.
[8]杨蕊.北宋富弼墓壁画的揭取及修复保护[J].文物保护与考古科学,2010,22(1):70-76.
[9]马楠.曲阜孔庙启圣祠彩画的保护修复实验[J].文物春秋,2012(2):82-86.
[10]严静,王啸啸,杨军昌,等.南京堂子街太平天国壁画再保护[J].文物保护与考古科学,2015(2):94-101.
[11]张尚欣,付倩丽,黄建华,等.秦俑二号坑出土一件彩绘跪射俑的保护修复[J].文物保护与考古科学,2012,24(4):109-116.
[12]马洪星,吴晓静.湾漳北朝墓壁画的二次修复[J].文物春秋,2008(3):58-60.
[13]范怀心.潮湿环境下壁画修复材料初步研究[D].兰州:兰州理工大学,2010.
[14]容波,朱振宇,王春燕,等.北魏彩绘砂岩佛教造像的保护修复[J].文物修复与研究,2007,3:269-274.
[15]WANG L Q,DANG G C,WANG X Q,et al.Analysis and protection of one thousand hand Buddha in Dazu stone sculptures[J].Chinese Journal of Chemistry,2004,22(2):172-176.
[16]杨隽永,万俐,陈步荣,等.印山越国王陵墓坑边坡化学加固试验研究[J].岩石力学与工程学报,2010,29(11):2370-2376.
[17]秦始皇帝陵博物院,中科院上海有机所,中科院上海硅酸盐所,西安交大,西北大学.出土陶质彩绘文物保护关键技术研究[M].北京:科学出版社,2014.
[18]孙晓强,对明代廖纪墓出土彩陶粉彩层的保护[J].文物保护与考古科学,1999,11(1):31-35.
[19]李钢.对一件馆藏东汉陶马进行抢救性修复保护[J].文物保护与考古科学,2008,20(1):61-64.
[20]张欢.许盟刚.刘成,等.可逆性加固剂在彩绘陶器覆土清理中的应用[J].文博,2009(6):419-426.
[21]卢秀善.天梯山石窟壁画病害及其修复[J].丝绸之路,2015(18):60-63.
[22]龚德才,王鸣军.传统材料及方法在江苏古建筑彩绘保护中的应用:漫谈江苏常熟严呐宅明代彩绘的保护研究[J].文博,2009(6):541-551.
[23]李蔓,赵学峰,申慧玲,等.河北磁县北宋墓葬壁画保护与修复浅谈[J].文物保护与考古科学,2017,29(2):100-104.