符号之墙与光亮——对冯小刚影像符号行为及其意义指涉的哲学思索
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摘要
元影像冲动作为个体影像符号行为基石同样催迫着冯小刚进行影像符号生产。冯小刚早期的影像符号行为缓释了由于符号和意义间强制指涉关系所导致的社会符号焦虑,并因实现了个体与社会符号系统的双重生长而成为社会符号系统的自我生长策略。而其后影像符号行为范式的快速迭代令他在错愕中进退失措。冯小刚在其影像符号行为中体现出将被他者一致性的符号之墙隔离的个体本质放回存在的本真渴望,在于这本质与存在合一的主体性时刻显现,这是符号之墙的坍塌和自我本质回归的肇始,在解脱了存在无法自证的困境,生命为其照亮并获得超越性的价值。元影像就是在的形式显现或符号性的隐喻存在,而以影像这一存在最为普遍直观的形式表达向在的趋近与回归这一主体的本真渴求就是元影像冲动。
As the cornerstone of the individual image symbol behavior,the meta-image impulse also has been urging Feng Xiaogang to produce image symbol production. His earlier image symbol behavior relieved the social symbol anxiety caused by the mandatory referential relationship between symbols and meanings,which becomes a self-growth strategy for the social symbol system because of the realizing of the dual growth of both individual and social symbol system. However,the rapid iteration of the image symbol behavior paradigm leads to his frustration in consternation. In his image symbol behavior Feng Xiaogang embodies the true desire of putting the individual essence isolated from the wall of symbols in conformance to the others back to the existence,which appears at the subjective moment of the unity of essence and existence. This is the beginning of collapse of the symbol wall and return of self essence with freed eacitence from the plight of being unable to prove itself. Life is illuminated and endowed with transcendental meaning by Being. The meta-image is its form representation or symbolic metaphorical existence,and the true desire of the subject to approach and return to Being expressed with image which is the most universal and intuitive form of existence.
As the cornerstone of the individual image symbol behavior,the meta-image impulse also has been urging Feng Xiaogang to produce image symbol production. His earlier image symbol behavior relieved the social symbol anxiety caused by the mandatory referential relationship between symbols and meanings,which becomes a self-growth strategy for the social symbol system because of the realizing of the dual growth of both individual and social symbol system. However,the rapid iteration of the image symbol behavior paradigm leads to his frustration in consternation. In his image symbol behavior Feng Xiaogang embodies the true desire of putting the individual essence isolated from the wall of symbols in conformance to the others back to the existence,which appears at the subjective moment of the unity of essence and existence. This is the beginning of collapse of the symbol wall and return of self essence with freed eacitence from the plight of being unable to prove itself. Life is illuminated and endowed with transcendental meaning by Being. The meta-image is its form representation or symbolic metaphorical existence,and the true desire of the subject to approach and return to Being expressed with image which is the most universal and intuitive form of existence.
引文
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[2]冯小刚.我把青春献给你[M].修订本.武汉:长江文艺出版社,2016.
[3]罗兰·巴特.明室[M].赵克非,译.北京:中国人民大学出版社,2011:115.
[4]克利福德·格尔茨.文化的解释[M].韩莉,译.南京:译林出版社,1999:5.
[5]张祥龙.朝向事情本身:现象学导论七讲[M].北京:团结出版社,2003:236.
[6]尼尔·波兹曼.娱乐至死[M].章艳,译.桂林:广西师范大学出版社,2004:2,202.
[7]塔拉斯蒂.存在符号学[M].魏全凤,颜小芳,译.成都:四川教育出版社,2012:64.
[8]米歇尔·福柯.疯癫与文明:理性时代的疯癫史[M].刘北成,杨远婴,译.北京:生活·读书·新知三联书店,2003:262.