“竹”字的拓扑结构及其设计应用
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摘要
目的用数学语言精确表达"竹"字发展过程中的形体结构,并提取其拓扑结构。方法利用拓扑学的严密性分析"竹"字的形体结构演变规律,并单纯剖分其形体结构,提取"竹"字在发展过程中保持不变的结构。结论讨论了"竹"字拓扑结构在造型设计中的应用,用拓扑学方法分析了象形字的形体演变过程,提取了其保持不变的结构,即拓扑结构,并对造型设计有一定的指导作用。
The work aims to accurately express the physical structure of Chinese character "Zhu" in the development process in mathematical language and extract its topological structure. The preciseness of topology was used to analyze the evolution law of the shape structure of Chinese character "Zhu" and the simplicial triangulations were made to its shape structure to extract the structure of Chinese character "Zhu" that remained unchanged in the development process. The topological structure of the Chinese character "Zhu" applied in the shape design is discussed. The shape evolution process of pictographic characters is analyzed by means of topology. Its structure that remains unchanged is extracted, that is, topological structure, and it has certain guiding function for shape design.
The work aims to accurately express the physical structure of Chinese character "Zhu" in the development process in mathematical language and extract its topological structure. The preciseness of topology was used to analyze the evolution law of the shape structure of Chinese character "Zhu" and the simplicial triangulations were made to its shape structure to extract the structure of Chinese character "Zhu" that remained unchanged in the development process. The topological structure of the Chinese character "Zhu" applied in the shape design is discussed. The shape evolution process of pictographic characters is analyzed by means of topology. Its structure that remains unchanged is extracted, that is, topological structure, and it has certain guiding function for shape design.
引文
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[2]李敏生.汉字哲学初探[M].北京:社会科学文献出版社, 2000.LIMin-sheng.APreliminaryExplorationtothePhilosophy of Chinese Characters[M]. Beijing:Social Sciences Academic Press, 2000:55.
[3]唐兰.中国文字学[M].上海:上海古籍出版社, 2005.TANG Lan. Chinese Philology[M]. Shanghai:Shanghai Classics Publishing House, 2005.
[4]贾锐.封闭曲线:象形字的拓扑结构及其设计应用研究[J].装饰, 2017(1):118—121.JIARui.ClosedCurves:TopologyStructuresofthe ChineseCharactersandtheApplicationsinDesign[J].Zhuangshi, 2017(1):118—121.
[5]贾锐.象形字的拓扑结构及其设计应用研究Ⅱ[J].南京艺术学院学报, 2016(5):203—206.JIA Rui. Topology Structures of the Chinese Characters and the Applications in DesignⅡ[J]. Journal of Nanjing Arts Institute, 2016(0):203—206.
[6]时学祥.语林趣话[M].成都:四川辞书出版社, 2002.SHI Xue-xiang. Yu Lin Qu Hua[M]. Cheng Du:Sichuan Lexicographical Press, 2002.
[7]宋均芬.汉语文字学[M].北京:北京大学出版社,2005:163.SONG Jun-fen. Chinese Philology[M]. Beijing:Peking University Press, 2005.
[8]鲁道夫·阿恩海姆.艺术与视知觉[M].成都:四川人民出版社, 1998.RUDOLFArnheim.ArtandVisualPerception[M].Cheng Du:Sichuan People Publishing House, 1998.
[9]傅东华.汉字[M].上海:上海教育出版社, 1984.FU Dong-hua. Chinese Characters[M]. Shanghai:Shanghai Educational Publishing House, 1984.
[10]徐恒醇.设计符号学[M].北京:清华大学出版社, 2008.XU Heng-chun. Design Semeiology[M]. Beijing:Tsinghua University Press, 2008.