广义叙事框架下数字交互展示设计的深度体验研究
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摘要
目的研究展示设计更深层次体验的实现方式和方法论。方法采用广义叙事的理论,以现代数字交互手段作为技术支持,结合理论模型与案例,分析广义叙事框架下展示设计深度体验的实现方法。结论展示设计的体验研究更多的是从传统的流线体验、空间体验、视觉体验转向五感体验,继而更进一步转向深度的心灵体验。广义叙事性的研究发展给这种层级线性的体验给予了颠覆性的框架支持,在广义叙事的状态下,叙事主客体与描述信源之间呈相互纠缠的关系。交互式展陈设计的普遍化是不可逆的,通过广义叙事的原理能提升展示设计的深层体验,并借助数字交互技术引发人们的关注。
It aims to study the way and methodology of the design of a more deep experience design. Based on the theory of generalized narration, the technical support of modern digital interaction technology, and the combination of theoretical models and case studies, the realization method of depth experience of exhibition design under generalized narrative mining machine is established. The experience research of exhibition design is mainly from the traditional streamline experience, space experience and visual experience to the five sense experience, and then further turn to the deep spiritual experience. The research and development of generalized narration has brought subversive framework support to this hierarchical linear experience. Under the condition of generalized narration, there is a mutual entanglement between narrative subject and object and description source. The generalization of interactive exhibition design is irreversible. In the future, by the basic principle of generalized narration, we can further enhance the deep experience of exhibition design and embrace the concern of human beings brought by digital interaction technology.
It aims to study the way and methodology of the design of a more deep experience design. Based on the theory of generalized narration, the technical support of modern digital interaction technology, and the combination of theoretical models and case studies, the realization method of depth experience of exhibition design under generalized narrative mining machine is established. The experience research of exhibition design is mainly from the traditional streamline experience, space experience and visual experience to the five sense experience, and then further turn to the deep spiritual experience. The research and development of generalized narration has brought subversive framework support to this hierarchical linear experience. Under the condition of generalized narration, there is a mutual entanglement between narrative subject and object and description source. The generalization of interactive exhibition design is irreversible. In the future, by the basic principle of generalized narration, we can further enhance the deep experience of exhibition design and embrace the concern of human beings brought by digital interaction technology.
引文
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[4]周昌乐.智能科学技术导论[M].北京:机械工业出版社,2015.ZHOU Chang-le.Introduction to Intelligent Science and Technology[M].Beijing:Machinery Industry Press,2015.
[5]康德.纯粹理性批判[M].成都:商务印书馆,1994.KANT.Critique of Pure Reason[M].Chengdu:The Commercial Press,1994.
[6]冯学成.信心铭[M].广州:南方日报出版社,2008.FENG Xue-cheng.Xin Xin Ming[M].Guangzhou:Nanfang Daily Press,2008.
[7]王峰.展示设计中交互媒体与群体行为的关系研究[J].装饰,2016(8):124—125.WANG Feng.The Study of the Relationship Between Interactive Media and Group Behavior in the Design of Display Design[J].Zhuangshi,2016(8):124—125.
[8]LYOTARD J F.The Post Mordern Condition:a Report on Knowledge[M].Manchester:Manchester University Press,1984.
[9]辛向阳.交互设计:从物理逻辑到行为逻辑[J].装饰,2015(1):58—62.XIN Xiang-yang.Interactive Design:from Logic of Thing to Behavioral Logic[J].Zhuangshi,2015(1):58—62.
[10]王松,唐丽芳,施妍.信息传播大变局[M].上海:上海交通大学出版社,2015.WANG Song,TANG Li-fang,SHI Yan.Communication's Transforming[M].Shanghai:Shanghai Jiao Tong University Press,2015.
[11]全媒派.花舞森林展背后的Team Lab[EB/OL].(2017-6-17)[2017-12-28].http://news.qq.com/original/dujiabianyi/teamlab.html.The Future Linker.Behind the Dance Forest Show Team Lab[EB/OL].(2017-6-17)[2017-12-28].http://news.qq.com/original/dujiabianyi/teamlab.html.
[12]狐狸影视城.超高速脸部映射[EB/OL].(2017-4-2)[2017-12-28].http://fox-studio.net/video/32966.html.Fox Film and Television City.Super High Speed Face Mapping[EB/OL].(2017-4-2)[2017-12-28].http://foxstudio.net/video/32966.html.
[13]陈鼓应.庄子今注今译[M].北京:中华书局,1983.CHEN Gu-ying.Modern Explanation of Chuang-tzu[M].Beijing:Zhonghua Book Company,1983.