《东方杂志》中文化转型的空间建构与内涵——以戏剧为例
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摘要
《东方杂志》是具有文化转型意义的杂志,其建构起了有关文化转型的空间。中西文化在特定历史时期所包括的内涵可以从空间中被透视出。《东方杂志》中的戏剧涵盖范围广,刊发数量多,与文化转型的关系较为密切,因而选取《东方杂志》中的戏剧作为研究对象来探讨《东方杂志》中文化转型的空间建构与其中的内涵。从戏剧的角度出发,《东方杂志》所建构的容纳文化转型的空间可以分为"有形空间"和"无形空间",这两个空间内部又包含多重空间,这些空间阐释出了有关文化转型的某些内涵。
Oriental Magazine is a magazine with cultural transformation significance. It has constructed the space of cultural transformation, in which the connotation of Chinese and Western cultures in certain historical periods can be seen. Drama in the Oriental Magazine covers a wide range, which has a large number of publications, and is closely related to cultural transformation, Therefore, the drama in Oriental magazine is selected as the research object to explore the spatial construction and connotation of the cultural transformation in Oriental Magazine. From the perspective of drama, the space of cultural transformation constructed by Oriental magazine can be divided into "tangible space" and "intangible space". These two Spaces contain multiple spaces inside. These spaces illustrate some of the implications of cultural transformation.
Oriental Magazine is a magazine with cultural transformation significance. It has constructed the space of cultural transformation, in which the connotation of Chinese and Western cultures in certain historical periods can be seen. Drama in the Oriental Magazine covers a wide range, which has a large number of publications, and is closely related to cultural transformation, Therefore, the drama in Oriental magazine is selected as the research object to explore the spatial construction and connotation of the cultural transformation in Oriental Magazine. From the perspective of drama, the space of cultural transformation constructed by Oriental magazine can be divided into "tangible space" and "intangible space". These two Spaces contain multiple spaces inside. These spaces illustrate some of the implications of cultural transformation.
引文
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[5]陳瘦竹.戏剧批评家莱森[J].东方杂志,1946(1):93.
[6]王勇.《东方杂志》与现代中国文学[M].北京:中国社会科学出版社,2014:225.
[7]杨戈.宋春舫与外国戏剧[J].当代戏剧,1994(1):51.
[8]宋春舫.近世浪漫派戏剧之沿革[J].东方杂志,1920(4):70.
[9]马鹿.戏剧上的表现主义运动[J].东方杂志,1921(3):92.
[10]宋春舫.法兰西战时之戏曲及今后之趋势[J].东方杂志,1921(21):56.
[11]初云玲.《东方杂志》的广告文本探究[J].今传媒,2011(1):69-70.
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[13]乐黛云.文化转型与文化冲突[J].民族艺术,1998(2):48-56.
[2]石雅洁.《东方杂志》办刊特色研究[D].上海:上海社会科学,2007:36.
[3]梁宗鼎.戏剧家之威廉大帝[J].东方杂志,1914(4):47.
[4]邓演存.戏曲家之托尔斯泰[J].东方杂志,1921(9):63.
[5]陳瘦竹.戏剧批评家莱森[J].东方杂志,1946(1):93.
[6]王勇.《东方杂志》与现代中国文学[M].北京:中国社会科学出版社,2014:225.
[7]杨戈.宋春舫与外国戏剧[J].当代戏剧,1994(1):51.
[8]宋春舫.近世浪漫派戏剧之沿革[J].东方杂志,1920(4):70.
[9]马鹿.戏剧上的表现主义运动[J].东方杂志,1921(3):92.
[10]宋春舫.法兰西战时之戏曲及今后之趋势[J].东方杂志,1921(21):56.
[11]初云玲.《东方杂志》的广告文本探究[J].今传媒,2011(1):69-70.
[12]耿云志.近代中国文化转型研究导论[M].成都:四川人民出版社,2008:498.
[13]乐黛云.文化转型与文化冲突[J].民族艺术,1998(2):48-56.