中国钢琴作品的演奏理念及风格分析
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摘要
钢琴这一乐器在很多大型演奏会中都必不可少,随着时代的发展,很多乐器都逐渐被市场淘汰了,而钢琴这项古老的乐器经久不衰,至今依然活跃在乐器市场中,想必有它独特的价值。钢琴作品的演奏风格自古以来都是人们讨论的焦点。基于此,本文分析了我国钢琴作品的演奏理念与演奏风格,这对于我们深入了解钢琴作品的内涵具有一定的现实意义。
Piano is an indispensable instrument in many large concerts, with the development of the times, many instruments have been gradually eliminated from the market, piano, an ancient instrument, is still active in the instrument market for a long time, it must have its unique value. The playing style of piano works has been the focus of discussion since ancient times. Based on this, this paper analyses the conceptual and performance style of Chinese piano works, which has a certain practical significance for us to understand the connotation of piano works.
Piano is an indispensable instrument in many large concerts, with the development of the times, many instruments have been gradually eliminated from the market, piano, an ancient instrument, is still active in the instrument market for a long time, it must have its unique value. The playing style of piano works has been the focus of discussion since ancient times. Based on this, this paper analyses the conceptual and performance style of Chinese piano works, which has a certain practical significance for us to understand the connotation of piano works.
引文
[1]方艳.浅谈中国钢琴作品的演奏风格[J].音乐时空,2015(14):122-124.
[2]付佳.中国钢琴作品的演奏理念分析[J].大众文艺,2010(18):88-89.
[3]曹莉芳.论中国钢琴作品的演奏风格[J].中国音乐,2009(3):207-211.
[4]薛锋.试谈不同风格中国钢琴作品的演奏[J].首都师范大学学报:社会科学版,2010(S2):16-19.
[2]付佳.中国钢琴作品的演奏理念分析[J].大众文艺,2010(18):88-89.
[3]曹莉芳.论中国钢琴作品的演奏风格[J].中国音乐,2009(3):207-211.
[4]薛锋.试谈不同风格中国钢琴作品的演奏[J].首都师范大学学报:社会科学版,2010(S2):16-19.