互联网语境中立体性文化记忆与多重性国家认同

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英文篇名：Stereoscopic cultural memory and multiple national identity in the context of Internet 作者：黄卫星 ; 张玉能 英文作者：HUANG Wei-xing;ZHANG Yu-neng;Institute of Automation, Chinese Academy of Sciences;College of Chinese Language and Literature, Central China Normal University; 关键词：互联网 ; 文化记忆 ; 立体性 ; 多重性 ; 国家认同 英文关键词：Internet context;;cultural memory;;three-dimension;;multiple;;national identity 中文刊名：QDHS 英文刊名：Journal of Qingdao University of Science and Technology(Social Sciences) 机构：中国科学院自动化研究所;华中师范大学文学院; 出版日期：2019-06-15 出版单位：青岛科技大学学报(社会科学版) 年：2019 期：v.35;No.136 基金：国家社科基金项目(15BXW061) 语种：中文; 页：QDHS201902015 页数：6 CN：02 ISSN：37-1394/C 分类号：93-98

摘要

互联网语境使得文化记忆具有了立体性,即成了多维度的立体形象世界记忆,多种感觉融会贯通的联觉记忆,超越现实真实性的仿真、拟像的记忆。在这种语境下,立体性文化记忆也形成了知(认识)情(情感)意(意志)多种感觉融合的国家认同。在这种强烈的立体性文化记忆所形成的多重性国家认同主导下,国家认同的理性观念在文化记忆的立体感性形象世界中显现出来,使得国家认同转化为了理性与感性高度统一、情感与意志高度融合的信念和信仰,更加有利于促进和加强民族团结和国家统一。
        The Internet context makes cultural memory stereoscopic, that is, the three-dimensional image world memory of multi-dimension, the synesthetic memory of integrating various senses, the simulation and pseudo-image memory beyond the reality. In this context, a national identity has been formed, which integrates knowledge, affection and will. Under the guidance of this strong three-dimensional national identity, the rational concept of national identity is manifested in the threedimensional image world of cultural memory, which makes national identity transform into belief with high integration of rationality and sensibility and high integration of motion and will, which is more conducive to promoting and strengthening the national unity.

引文

[1]张放,陈义凤.音乐舞蹈史诗《东方红》问世的真实背景及反对目标[EB/OL].(2015-12-01)[2018-06-11].http://zhangfangcn.blogchina.com12848102.html.
    [2]中国记忆·大型音乐舞蹈史诗《东方红》鲜为人知的诞生过程[EB/OL].[2018-06-11].www.xici.net/d182760032.0.htm-快照-西祠胡同.