晚清女性战乱诗抒情的性别化与个人化
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摘要
晚清女性战乱诗是在鸦片战争和太平天国战争等战乱背景下产生的,主要是对作者在战乱中的旅行、疾病、饥饿、亲族丧乱的书写,以及愤恨、忧愁、伤痛、迷茫等情感的抒发。相比同时代男性诗人的战乱诗,其书写更加细节化,情感因而更加细腻;在对战事的书写、对亲人的悼亡中,其情感往往显得不可抑制;她们往往在同一首诗中寄寓多重感情,呈现出"复调式"的特点。这种特有的视角,使其在战乱诗中的抒情呈现出明显的性别化特征和个人化倾向。
In the late Qing Dynasty,women's war-torn poetry originated from the background of wars such as the Opium War and the Taiping Heavenly Kingdom War. It was mainly about the author's travels in the war,illness,hunger,family sorrow,the emotions of resentment,sorrow,pain,confusion and so on. Compared their poetry with those of male poets in the same period,their writings were more detailed and the emotions were more delicate; in the description of the war affairs and mourning for their beloved family members,their emotions often seemed overwhelmed; they often conceived multiple feelings in the same poem,showing the characteristics of "polyphonic". This unique perspective made the lyrics of war-torn poetry show obvious gender characteristics and personalization tendencies.
In the late Qing Dynasty,women's war-torn poetry originated from the background of wars such as the Opium War and the Taiping Heavenly Kingdom War. It was mainly about the author's travels in the war,illness,hunger,family sorrow,the emotions of resentment,sorrow,pain,confusion and so on. Compared their poetry with those of male poets in the same period,their writings were more detailed and the emotions were more delicate; in the description of the war affairs and mourning for their beloved family members,their emotions often seemed overwhelmed; they often conceived multiple feelings in the same poem,showing the characteristics of "polyphonic". This unique perspective made the lyrics of war-torn poetry show obvious gender characteristics and personalization tendencies.
引文
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[9][加]方秀洁,[美]伊维德.美国哈佛大学哈佛燕京图书馆藏明清妇女著述汇刊5[M].桂林:广西师范大学出版社,2009:299,56,58,299.
[10]陈少松.清代叙事诗及其理论初探[J].南京师大学报(社会科学版),1991(3):80-87.
[2]胡文楷.历代妇女著作考[M].上海:上海古籍出版社,1985:5.
[3]郭延礼.明清女性文学的繁荣及其主要特征[J].文学遗产,2002(6):68-78.
[4]梁启超.李鸿章[M].武汉:湖北人民出版社,2004:94-95.
[5][加]方秀洁,[美]伊维德.美国哈佛大学哈佛燕京图书馆藏明清妇女著述汇刊2[M].桂林:广西师范大学出版社,2009:201,414,116,112,146,188,495,496,146.
[6][加]方秀洁,[美]伊维德.美国哈佛大学哈佛燕京图书馆藏明清妇女著述汇刊3[M].桂林:广西师范大学出版社,2009:261,271,299.
[7][意]史华罗.中国历史中的情感文化[M].北京:商务印书馆,2009:434.
[8][加]方秀洁,[美]魏爱莲.跨越闺门---明清女性作家论[M].北京:北京大学出版社,2014:175.
[9][加]方秀洁,[美]伊维德.美国哈佛大学哈佛燕京图书馆藏明清妇女著述汇刊5[M].桂林:广西师范大学出版社,2009:299,56,58,299.
[10]陈少松.清代叙事诗及其理论初探[J].南京师大学报(社会科学版),1991(3):80-87.