浪漫主义美学视野下肖邦钢琴音乐风格探究
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摘要
在19世纪浪漫主义音乐美学追求"诗意化"的浪潮中,肖邦的钢琴作品除了具有浓郁的民族性、细腻的抒情性以及强烈的革命性外,还表现出浪漫主义特征,具体为民族化音乐语言暗示钢琴诗人的怀乡之情、抒情性音乐蕴含忧郁的诗人气质、时代感激发诗人的革命性情怀。
In the 19 th century romanticism music aesthetic pursuit in the tide of"poetry",the nationality of Chopin's piano works embodies in addition to the rich,exquisite and lyricism and strong revolutionary,the author in this article,the three parts analyze the characteristic of Chopin's romanticism,respectively is:nationalization piano music language implies the poet's ideal of love;lyrical music contains the melancholy poet temperament;contemporary poets revolutionary feelings.
In the 19 th century romanticism music aesthetic pursuit in the tide of"poetry",the nationality of Chopin's piano works embodies in addition to the rich,exquisite and lyricism and strong revolutionary,the author in this article,the three parts analyze the characteristic of Chopin's romanticism,respectively is:nationalization piano music language implies the poet's ideal of love;lyrical music contains the melancholy poet temperament;contemporary poets revolutionary feelings.
引文
[1]辞海编辑委员会.辞海[M].上海:上海辞书出版社,1979:4132.
[2]钱仁康.肖邦叙事曲解读[M].北京:人民音乐出版社,2006.
[3]索洛甫蹉夫.肖邦的创作[M].北京:人民音乐出版社,1960:7.
[4]寇鹏程.古典、浪漫与现代:西方审美范式的演变[M].上海:三联书店,2005:156.
[5]塞尔登.文学批评理论:从柏拉图到现在[M].刘象愚,译.北京:北京大学出版社,2000:180.
[6]朱裔文.谈肖邦《玛祖卡舞曲》的民族性[J].作家,2010(12):78-79.
[7]蔡良玉.西方音乐文化[M].北京:人民音乐出版社,2005:324.
[2]钱仁康.肖邦叙事曲解读[M].北京:人民音乐出版社,2006.
[3]索洛甫蹉夫.肖邦的创作[M].北京:人民音乐出版社,1960:7.
[4]寇鹏程.古典、浪漫与现代:西方审美范式的演变[M].上海:三联书店,2005:156.
[5]塞尔登.文学批评理论:从柏拉图到现在[M].刘象愚,译.北京:北京大学出版社,2000:180.
[6]朱裔文.谈肖邦《玛祖卡舞曲》的民族性[J].作家,2010(12):78-79.
[7]蔡良玉.西方音乐文化[M].北京:人民音乐出版社,2005:324.