宋画的“气”与元画的“境”
|
摘要
宋元山水画是中国古代山水画的两大高峰期,其在艺术表现上,反映出两种不同的艺术境界,一个重在表现外在自然之"气",一个重在传达内心之"境"。但宋元山水画境的不同,在同期画论中没有得到系统的探讨。这可能跟当时绘画只属于"技艺"的观念相关,山水画只是文人业余趣味和生活调剂。宋元山水画境的演变,与宋明理学基本是同向、共时的发展走向。
Song and Yuan Dynasty are the two peak periods of ancient Chinese landscape painting, which is on artistic expression, reflect two different artistic realm, one focusing on the performance of external natural"qi", focusing convey the heart of a"realm".But the different on artistic realm in Song and Yuan Dynasty landscape painting, in the same period in painting theory did not get to explore. This may be with time painting belongs only"skill"in literati concept,so painting only hobby in the life of literati. Evolution of Song and Yuan landscape painting'artistic realm, and Neo-Confucianism is basically in the same direction, towards a total development direction.
Song and Yuan Dynasty are the two peak periods of ancient Chinese landscape painting, which is on artistic expression, reflect two different artistic realm, one focusing on the performance of external natural"qi", focusing convey the heart of a"realm".But the different on artistic realm in Song and Yuan Dynasty landscape painting, in the same period in painting theory did not get to explore. This may be with time painting belongs only"skill"in literati concept,so painting only hobby in the life of literati. Evolution of Song and Yuan landscape painting'artistic realm, and Neo-Confucianism is basically in the same direction, towards a total development direction.
引文
[1]方治华,赵爽.基于ANSYS的振动筛筛箱强度的有限元分析及改进设计[J].煤矿机械,2008,12:143-144.
[2]苏梅,童昕,刘强,张卡德,王桂锋.振动筛筛箱模态特性分析及动强度校核[J].金属矿山,2011,01:112-116+138.
[3]张明洪,马天宝.钻井液平动椭圆振动筛原理[J].天然气工业,1990,04:40-47+8.
[4]阳光武,肖守讷,张卫华.螺旋圆弹簧的横向刚度分析[J].中国铁道科学,2010,04:59-62.
[5]李栋,刘跃,胡含凯,袁文琦,张妙恬,孟国营.基于ANSYS Workbench的振动筛模态分析研究[J].煤矿机械,2015,08:280-282.
[6]娄宏敏.GDZS2460/2高效单元组合振动筛的设计与筛框有限元分析[D].江西理工大学,2011.
[7]喻忠胜,张明洪.钻井液振动筛动态强度的实验研究[J].石油机械,1989,17(7):13-19.
2.郑午昌:《中国画学全史》,第227—228、269页。
3.郑午昌:《中国画学全史》,第242页。
4.《匡庐图》乃清乾隆鲁莽题名,实际表现为太行山形貌,与庐山的地貌特征并不相类。
5.朱良志:《扁舟一叶:理学与中国画学研究》,第54页。
6.侯外庐:《宋明理学史》(上),第755页。
7.朱良志:《扁舟一叶:理学与中国画学研究》,第192页。
[2]苏梅,童昕,刘强,张卡德,王桂锋.振动筛筛箱模态特性分析及动强度校核[J].金属矿山,2011,01:112-116+138.
[3]张明洪,马天宝.钻井液平动椭圆振动筛原理[J].天然气工业,1990,04:40-47+8.
[4]阳光武,肖守讷,张卫华.螺旋圆弹簧的横向刚度分析[J].中国铁道科学,2010,04:59-62.
[5]李栋,刘跃,胡含凯,袁文琦,张妙恬,孟国营.基于ANSYS Workbench的振动筛模态分析研究[J].煤矿机械,2015,08:280-282.
[6]娄宏敏.GDZS2460/2高效单元组合振动筛的设计与筛框有限元分析[D].江西理工大学,2011.
[7]喻忠胜,张明洪.钻井液振动筛动态强度的实验研究[J].石油机械,1989,17(7):13-19.
2.郑午昌:《中国画学全史》,第227—228、269页。
3.郑午昌:《中国画学全史》,第242页。
4.《匡庐图》乃清乾隆鲁莽题名,实际表现为太行山形貌,与庐山的地貌特征并不相类。
5.朱良志:《扁舟一叶:理学与中国画学研究》,第54页。
6.侯外庐:《宋明理学史》(上),第755页。
7.朱良志:《扁舟一叶:理学与中国画学研究》,第192页。