从《平原客》看李佩甫自我超越的努力与困难
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摘要
从主题和形式两个方面来看,李佩甫的最新长篇小说《平原客》所取得的成绩并不平衡。在小说中,李佩甫成功塑造了李德林、赫连东山这两个主要人物,表达了对土地更为深沉的思考和对当今时代问题的警醒与反思。小说在语言特点、叙事结构、叙事技巧等方面,因袭的现象却普遍存在。
Men of the Central Plains, Li Peifu's latest novel, has been the subject of much controversy. On the one hand, the novel creates successfully two major characters, Li Delin and Helian Dongshan, and expresses profound thoughts and feelings about the land and reveals a vigilance and self-reflection on the current problems. On the other hand, repetition of the novelist's former works is universally present in the novel's language, narrative structure and narrative skills.
Men of the Central Plains, Li Peifu's latest novel, has been the subject of much controversy. On the one hand, the novel creates successfully two major characters, Li Delin and Helian Dongshan, and expresses profound thoughts and feelings about the land and reveals a vigilance and self-reflection on the current problems. On the other hand, repetition of the novelist's former works is universally present in the novel's language, narrative structure and narrative skills.
引文
[1]李佩甫.平原客[J].花城,2017(3):5-124.
[2]李丹梦.李佩甫论[J].文艺争鸣,2007(2):142-151.
[3]舒晋瑜,李佩甫.看清脚下的土地[J].上海文学,2012(10):107-112.
[4]姚晓雷.乡土与声音:民间审视下的新时期以来河南乡土类型小说[M].济南:山东教育出版社,2010:178.
[5]侯运华.论李佩甫的小说创作[J].河南大学学报,2001(2):59-65.
[6]刘颖.李佩甫小说论[D].郑州:郑州大学,2011:16.
[7]张宇.实实在在的李佩甫[N].文艺报,1987-01-17(07).
[8]唐小林.李佩甫的小说“配方”[J].文学自由谈,2016(5):15-26.
[9]黄轶.批判下的抟塑:李佩甫“平原三部曲”论[J].当代作家评论,2012(5):112-119.
(1)关于“平原三部曲”的提法,程德培在《李佩甫的“两地书”》(《当代作家评论》2012年第5期)中就认为“有点牵强”。现在,《平原客》的发表更让人觉得,所谓的“三部曲”大概也只是作家文学宣传中的一种策略。
[2]李丹梦.李佩甫论[J].文艺争鸣,2007(2):142-151.
[3]舒晋瑜,李佩甫.看清脚下的土地[J].上海文学,2012(10):107-112.
[4]姚晓雷.乡土与声音:民间审视下的新时期以来河南乡土类型小说[M].济南:山东教育出版社,2010:178.
[5]侯运华.论李佩甫的小说创作[J].河南大学学报,2001(2):59-65.
[6]刘颖.李佩甫小说论[D].郑州:郑州大学,2011:16.
[7]张宇.实实在在的李佩甫[N].文艺报,1987-01-17(07).
[8]唐小林.李佩甫的小说“配方”[J].文学自由谈,2016(5):15-26.
[9]黄轶.批判下的抟塑:李佩甫“平原三部曲”论[J].当代作家评论,2012(5):112-119.
(1)关于“平原三部曲”的提法,程德培在《李佩甫的“两地书”》(《当代作家评论》2012年第5期)中就认为“有点牵强”。现在,《平原客》的发表更让人觉得,所谓的“三部曲”大概也只是作家文学宣传中的一种策略。