从戏剧的边缘性探讨戏剧的包容性——以边缘戏剧《混血儿》为例
摘要
《混血儿》是塔拉瓦剧院公司和苏荷剧院作家实验室共同开发的,由娜塔莎·马歇尔创作并出演的女性视角半自传黑暗喜剧。该剧讲述了英非混血儿贾丝敏作为家乡英国某西部农村唯一的半黑人而产生的身份焦虑。2017年,《混血儿》在爱丁堡国际边缘戏剧节上首映,引发了人们对于英国社会种族主义的讨论。作为一部边缘戏剧,该剧以其独特的取材立意和前沿的创作思潮获得了一致好评,同时也呈现了戏剧包容多元的文化价值。本文拟从该剧的边缘性出发,探讨其包容性的体现及意义。
引文
[1]许望,70岁爱丁堡戏剧节:依然深刻更加包容[N].21世纪经济报道,2018.
[2]曹路生,英国最新兴起的边缘戏剧[J].艺术百家,1987.
[3]黄明,从“佳构剧”到“边缘戏剧”---英国二十世纪戏剧历程[J].戏剧文学,1993.
[4]姚建斌,从奥尔兰多国际边缘剧艺节看世界边缘戏剧[J].戏剧之家,2000.
[5]Rohan Banerjee,Natasha Marshall on Half Breed:“It gets difficult reminding people you’re not white”[N].NewStatesmanAmerica,2018
[6]Ann Treneman,Edinburgh theatre review:Half Breed at The Box,Assembly George Square[N].THETIMES,2017
[7]Charles Huschinson,How does it feel to be half white,half black in Britain?Natasha Marshall tells all[N].YorkPress,2018.
[8]Veronica Lee,Half Breed,theater review:Funny,gripping show packs a punch[N].STANDARD,2017.
[9]Clare Brennan,Edinburgh theatre review a world without borders,almost[N].TheGuardian,2017.
[2]曹路生,英国最新兴起的边缘戏剧[J].艺术百家,1987.
[3]黄明,从“佳构剧”到“边缘戏剧”---英国二十世纪戏剧历程[J].戏剧文学,1993.
[4]姚建斌,从奥尔兰多国际边缘剧艺节看世界边缘戏剧[J].戏剧之家,2000.
[5]Rohan Banerjee,Natasha Marshall on Half Breed:“It gets difficult reminding people you’re not white”[N].NewStatesmanAmerica,2018
[6]Ann Treneman,Edinburgh theatre review:Half Breed at The Box,Assembly George Square[N].THETIMES,2017
[7]Charles Huschinson,How does it feel to be half white,half black in Britain?Natasha Marshall tells all[N].YorkPress,2018.
[8]Veronica Lee,Half Breed,theater review:Funny,gripping show packs a punch[N].STANDARD,2017.
[9]Clare Brennan,Edinburgh theatre review a world without borders,almost[N].TheGuardian,2017.