“拿来主义”之殇:中国小妞电影的溯源舶来与符号困境
|
摘要
<正>"小妞电影",自主而愉悦地唱着不同的调调,更加目中无人又充满嘲讽,后现代又后女性主义如同高呼"女(孩)权"("grrrlpower")的自夸大王。当"女(孩)权"说着"我可以既可爱又坚定自信","小妞电影"说"我不被束缚,但是憧憬浪漫、专情于一个男人、沉迷于当母亲要孩子也是可以的"……~((1))[一、好莱坞"小妞"与再述女性气质(femininity)
引文
(1)Haskell, M.(2003),“Girls on Film:Why chick flicks have greater emotional integrity than men's movies”[N], The Guadian, March 28.
(2)Ferriss, S.&Young, M.(2008),“Introduction:chick flicks and chick culture”, in Chick Flicks:Contemporary Women at the Movies[M], Suzanne Ferriss&Mallory Young(eds), NY:Routledge, pp. 1-25.
(3)Haskell M.(1974), From Revenge to Rape:The Treatment of Women in the Movies[M], Chicago:University of Chicago Press, pp.155.
(4)参考Walsh A.(1984), Women’s Film and Female Experience:1940-1950[M]. NY:Praeger.另有Haskell(同注4),Mary Anne Doane等认为是在1930和1940年代。Doane, M. A.(1987), The Desire to Desire:the woman’s film of the1940s[M]. Bloomington:Indiana UP.
(5)同注2.
(6)Dole, C. M.(2008),“The return of pink:Legally Blonde, third-wave feminism, and having it all.”书同注2, pp. 58-78.
(7)Ferriss, S.(2008),“Fashioning femininity in the makeover flick.”书同注2, pp. 41-57.
(8)Waites, K.(2008),“Babes in boots:Hollywood’s oxymoronic warrior woman.”书同注2, pp. 204-20.
(9)例如Angela McRobbie谈论到的学校女性主义课的追随者减少,以及年轻女性心照不宣地和女性主义者、老师保持一定距离等现象。McRobbie, A.(2007),“Postfeminism and Popular Culture:Bridget Jones and the New Gender Regime.”In Interrogating Postfeminism:Gender and the Politics of Popular Culture[M], Yvonne Tasker&Diane Negra(eds), N.C.:Duke University Press, pp. 27-39..
(10)Hollinger, K.(2012),“Women and Genre Films:From the Woman’s Film to Chick Flicks(Film in Focus:Stella Dallas and The Devil Wears Prada).” In Feminist Film Studies[J],NY:Routledge, pp. 48.
(11)Thompson, N. M.(2007),“The Chick Flick Paradox:Derogatory? Feminist? Or Both?” Off Our Backs[J], Vol. 37,1:43-5.
(12)Arthurs, J.(2006),“Sex and the City and Consumer Culture:Remediating Postfeminist Drama.” In Television:the Critical view 7th ed[M], Newcomb, H.(ed), UK:Oxford University Press, pp.315-31.
(13)以收录中文新兴网络词汇的《互联网扶贫书》中在“2009-2010网络新锐词汇榜”中收录了“小妞电影”一词。参考互联网扶贫书(2009-2010)[M].北京:中国华侨出版社,2010.
(14)方夷敏,等.“《爱出色》《爱情维修站》勉强过千万回本乏术《非常完美》后多部“小妞电影”沦为炮灰独家调查:“小妞电影”怎么这么难?.南方都市报[N], 2010-11-28.
(15)Goffman, E.(1979), Gender Advertisements[M]. London:Macmillian.
(16)[McRobbie, A.(1982),“Jackie:an ideology of adolescent femininity.” in Popular Culture:Past and Present[M],Waites, T. Bennet&&G. Martin(eds), London:Croom Helm, pp. 263-83.
(17)同注10.
(18)同注2.
(2)Ferriss, S.&Young, M.(2008),“Introduction:chick flicks and chick culture”, in Chick Flicks:Contemporary Women at the Movies[M], Suzanne Ferriss&Mallory Young(eds), NY:Routledge, pp. 1-25.
(3)Haskell M.(1974), From Revenge to Rape:The Treatment of Women in the Movies[M], Chicago:University of Chicago Press, pp.155.
(4)参考Walsh A.(1984), Women’s Film and Female Experience:1940-1950[M]. NY:Praeger.另有Haskell(同注4),Mary Anne Doane等认为是在1930和1940年代。Doane, M. A.(1987), The Desire to Desire:the woman’s film of the1940s[M]. Bloomington:Indiana UP.
(5)同注2.
(6)Dole, C. M.(2008),“The return of pink:Legally Blonde, third-wave feminism, and having it all.”书同注2, pp. 58-78.
(7)Ferriss, S.(2008),“Fashioning femininity in the makeover flick.”书同注2, pp. 41-57.
(8)Waites, K.(2008),“Babes in boots:Hollywood’s oxymoronic warrior woman.”书同注2, pp. 204-20.
(9)例如Angela McRobbie谈论到的学校女性主义课的追随者减少,以及年轻女性心照不宣地和女性主义者、老师保持一定距离等现象。McRobbie, A.(2007),“Postfeminism and Popular Culture:Bridget Jones and the New Gender Regime.”In Interrogating Postfeminism:Gender and the Politics of Popular Culture[M], Yvonne Tasker&Diane Negra(eds), N.C.:Duke University Press, pp. 27-39..
(10)Hollinger, K.(2012),“Women and Genre Films:From the Woman’s Film to Chick Flicks(Film in Focus:Stella Dallas and The Devil Wears Prada).” In Feminist Film Studies[J],NY:Routledge, pp. 48.
(11)Thompson, N. M.(2007),“The Chick Flick Paradox:Derogatory? Feminist? Or Both?” Off Our Backs[J], Vol. 37,1:43-5.
(12)Arthurs, J.(2006),“Sex and the City and Consumer Culture:Remediating Postfeminist Drama.” In Television:the Critical view 7th ed[M], Newcomb, H.(ed), UK:Oxford University Press, pp.315-31.
(13)以收录中文新兴网络词汇的《互联网扶贫书》中在“2009-2010网络新锐词汇榜”中收录了“小妞电影”一词。参考互联网扶贫书(2009-2010)[M].北京:中国华侨出版社,2010.
(14)方夷敏,等.“《爱出色》《爱情维修站》勉强过千万回本乏术《非常完美》后多部“小妞电影”沦为炮灰独家调查:“小妞电影”怎么这么难?.南方都市报[N], 2010-11-28.
(15)Goffman, E.(1979), Gender Advertisements[M]. London:Macmillian.
(16)[McRobbie, A.(1982),“Jackie:an ideology of adolescent femininity.” in Popular Culture:Past and Present[M],Waites, T. Bennet&&G. Martin(eds), London:Croom Helm, pp. 263-83.
(17)同注10.
(18)同注2.