姜、张词风流播岭南述论
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摘要
清代嘉、道以后,宗尚姜夔、张炎醇雅空灵词风的浙派逐渐占据岭南词坛主导地位。姜、张词风流播岭南,是偏远词坛对中心词坛受容的结果,而其之所以开始于此际,则和学海堂关系甚大。学海堂书院的创建与繁荣,营造了浓郁的文学氛围,培育了大批具有醇雅审美趣味的词人,为姜、张词风流播奠定了人才基础;学海堂学长雅爱姜、张,其示范效应又有力促进了姜、张词风的流播。姜、张词风流播岭南的轨迹,大致可分三个阶段:嘉、道时期,以吴兰修、仪克中为代表;道、同时期,以陈澧为代表;咸、光时期,以"粤东三家"为代表。在此过程中,岭南词坛完成了从初具浙派面目,到宗尚姜、张,再到渐有常派风味的嬗变。
Since Jiaqing and Daoguang of the Qing Dynasty,the Zhexi Ci School which imitated the elegant and unpredictable style of South Song Dynasty Ci poets Jiang Kui and Zhang Yan gradually occupied the dominant position in Guangdong Ci circle.Jiang's and Zhang's Ci style was popular in Guangdong because the remote Guangdong Ci circle tended to learn and accept the central Jiangnan Ci circle.Why it began at that time was related to Xuehaitang Academy.Xuehaitang created a rich atmosphere of literature,cultivated many Ci poets of elegant aesthetic taste,which laid the foundation for the spread of Jiang's and Zhang's style.Xuehaitang's teachers' appreciation for Jiang's and Zhang's works promoted the spread of them.The spread trace of Jiang's and Zhang's Ci style in Guangdong can be divided into three stages:the period from Jiaqing to Daoguang,represented by Wu Lanxiu and Yi Kezhong;the period from Daoguang to Tongzhi,represented by Chen Li;the period from Xianfeng to Guangxu,represented by Shen Shiliang,Wang Quan and Ye Yanlan.In this process,Guangdong Ci evolved from basically having Zhexi Ci's style to completely learning Jiang's and Zhang's style,then to having a little style of Changzhou Ci School.
Since Jiaqing and Daoguang of the Qing Dynasty,the Zhexi Ci School which imitated the elegant and unpredictable style of South Song Dynasty Ci poets Jiang Kui and Zhang Yan gradually occupied the dominant position in Guangdong Ci circle.Jiang's and Zhang's Ci style was popular in Guangdong because the remote Guangdong Ci circle tended to learn and accept the central Jiangnan Ci circle.Why it began at that time was related to Xuehaitang Academy.Xuehaitang created a rich atmosphere of literature,cultivated many Ci poets of elegant aesthetic taste,which laid the foundation for the spread of Jiang's and Zhang's style.Xuehaitang's teachers' appreciation for Jiang's and Zhang's works promoted the spread of them.The spread trace of Jiang's and Zhang's Ci style in Guangdong can be divided into three stages:the period from Jiaqing to Daoguang,represented by Wu Lanxiu and Yi Kezhong;the period from Daoguang to Tongzhi,represented by Chen Li;the period from Xianfeng to Guangxu,represented by Shen Shiliang,Wang Quan and Ye Yanlan.In this process,Guangdong Ci evolved from basically having Zhexi Ci's style to completely learning Jiang's and Zhang's style,then to having a little style of Changzhou Ci School.
引文
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[2]谢永芳.辛派南传与广东词坛主导风格之确立[J].上饶师范学院学报,2011(1).
[3]范松义.岭南词风“雅健”辨[J].文学遗产,2009(6).
[4]叶恭绰选辑,傅宇斌点校.广箧中词[M].北京:人民文学出版社,2011.
[5](清)张景祁.粤东三家词钞序[C]//.谢永芳校点.叶衍兰集.上海:上海古籍出版社,2015.
[6](清)郭麐.剑光楼词序[C]//.(清)仪克中.剑光楼词.半畊草堂刻本,咸丰十年(1860).
[7](清)张鸣珂.秋梦盦词钞序[C]//.谢永芳校点.叶衍兰集.上海:上海古籍出版社,2015.
[8](清)阮亨.瀛舟笔谈[M].嘉庆二十五年(1820)刻本.
[9](清)林伯桐编,(清)陈澧续补.学海堂志[M].光绪九年(1883)续刊本.
[10]朱琳.谈谈学海堂的首任八位学长[J].今日南国,2008(12).
[11]宋巧燕.岭南学海堂书院的文学教学[J].学术研究,2003(4).
[12](清)阮元.学海堂集序[C]//.学海堂集.道光五年(1825)刊本.
[13]万柳.越台词社考论[J].广东广播电视大学学报,2009(3).
[14]冒广生.小三吾亭词话[C]//.唐圭璋.词话丛编(第5册).北京:中华书局,2005.
[15](清)吴嵩梁.桐花阁词序[C]//.(清)吴兰修.桐花阁词.番禺:汪氏微尚斋刻本,清宣统至民国年间.
[16](清)陆以湉.冷庐杂识[M].北京:中华书局,1984.
[17](清)丁绍仪.听秋声馆词话[C]//.唐圭璋.词话丛编(第3册).北京:中华书局,2005.
[18](清)江沅.剑光楼词序[C]//.(清)仪克中.剑光楼词.半畊草堂刻本,咸丰十年(1860).
[19](清)吴兰修.剑光楼词序[C]//.(清)仪克中.剑光楼词.半畊草堂刻本,咸丰十年(1860).
[20](清)谭敬昭.剑光楼词题词[C]//.(清)仪克中.剑光楼词.半畊草堂刻本,咸丰十年(1860).
[21](清)陈宗颖.忆江南馆词题记[C]//.(清)陈澧.忆江南馆词.上海:上海书店,1982.
[22](清)陈澧.楞华室词钞序[C]//.(清)沈世良.楞华室词钞.清咸丰四年(1854)刻本.
[23](清)郭麐.灵芬馆词话[C]//.唐圭璋.词话丛编(第2册).北京:中华书局,2005.
[24]管林,等.岭南晚清文学研究[M].广州:广东人民出版社,2003.
[25](清)谭献.箧中词[M].光绪八年(1882)刻本.
[26](清)朱祖谋.彊村语业[M].托鹃楼刻本,民国十三年(1924).
[27]谢永芳.广东近世词坛研究[M].上海:上海古籍出版社,2008.
[28](清)陈澧.随山馆词稿题词[C]//.(清)汪6.随山馆全集.番禺:汪氏刊本,光绪年间.
[29](清)朱鉴成.随山馆词稿题词[C]//.(清)汪6.随山馆全集.番禺:汪氏刊本,光绪年间.
[30](清)刘熙载.词概[C]//.唐圭璋.词话丛编(第4册).北京:中华书局,2005.
[31](清)易顺鼎.秋梦盦词钞序[C]//.谢永芳校点.叶衍兰集.上海:上海古籍出版社,2015.
[32](清)张景祁.秋梦盦词钞序[C]//.谢永芳校点.叶衍兰集.上海:上海古籍出版社,2015.
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