中国山水画和西方风景画之比较
详细信息    查看全文 | 推荐本文 |
  • 英文篇名:Research on the Comparison of Landscape Painting Creation between China and the Western
  • 作者:王峰 ; 张吉伟
  • 英文作者:WANG Feng;ZHANG Jiwei;School of Art,Anhui University of Finance&Economics;Bengbu No.6 Middle School;
  • 关键词:山水画 ; 风景画 ; 表现方式 ; 天人合一 ; 天人相分
  • 英文关键词:Chinese traditional landscape painting;;Western landscape painting;;means of expression;;harmony between human & nature;;distinction between human & nature
  • 中文刊名:WXXB
  • 英文刊名:Journal of West Anhui University
  • 机构:安徽财经大学艺术学院;蚌埠六中;
  • 出版日期:2019-04-15
  • 出版单位:皖西学院学报
  • 年:2019
  • 期:v.35;No.167
  • 语种:中文;
  • 页:WXXB201902030
  • 页数:4
  • CN:02
  • ISSN:34-1232/Z
  • 分类号:150-153
摘要
中西方风景画发展过程的不同,内蕴的是历史根植、哲学观念、认知范式、审美诉求等差异,生成的分别是中国山水画和西方风景画的艺术样式。基于文本中心主义描述性阐释,中国山水画和西方风景画对描绘自然风光的差异,主要是由于东西方自然观、色彩观及表现方式的差异造成的,体现出东西方"天人合一"与"天人相分"的认知范式的差异,继而体现出创作技法、思想内容与审美价值的差异。
        The differences in the development process of Chinese and western landscape paintings rooted in their own history, philosophical concepts, cognitive patterns and aesthetic appeals, which generate different artistic styles of landscape paintings respectively. Based on the Textism interpretation, the differences on the natural scenery in landscape painting creation, mainly due to the differences in the view of nature, color and form between China and the west, manifests the difference of cognitive paradigm of the "harmony between human & nature" and the "distinction between human & nature", which reflects the differences in the creation technique, ideological content and aesthetic value.
引文
[1]老子.老子[M].长春:吉林文史出版社,2014.
    [2]孟子.孟子[M].杨伯峻,译注.北京:中华书局,2008.
    [3]康德.判断力批判[M].邓晓芒,译.杨祖陶,校.北京:人民出版社,2002.
    [4]石涛.画语录[M].郑州:中州古籍出版社,2013.
    [5]赵孟頫.秀石疏林图[M].北京:文物出版社,2018.
    [6]董其昌.画旨[M].杭州:西泠印社出版社,2008.
    [7]张璪.绘境[M]//张彦远.历代名画记.上海:上海人民美术出版社,1961.
    [8]宗白华.美学散步[M].上海:上海人民出版社,1981.

© 2004-2018 中国地质图书馆版权所有 京ICP备05064691号 京公网安备11010802017129号

地址:北京市海淀区学院路29号 邮编:100083

电话:办公室:(+86 10)66554848;文献借阅、咨询服务、科技查新:66554700