秦腔艺术特征的把握与王宝钏形象的塑造
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摘要
秦腔艺术在当今面临诸多挑战,新一代的演员在戏曲表演中要充分把握秦腔在历史传承中形成的特点,又要不断创新而形成新的历史。从其唱腔看,秦腔音乐属于板腔体;从伴奏音乐看,其曲牌数量丰富;从表演看,其"生、旦、净、丑"等各种角色,唱腔求气运丹田,字正腔圆,要把握一系列开、合、齐、撮等口腔发声技巧,要根据人物情感的需要进行动作的设计和唱腔的处理。当代秦腔表演只有把握受众的需求,把握剧本人物的典型特征和内心世界,才能很好地处理舞台技巧,才能塑造出广受欢迎的经典人物形象。
The new generation of Shaanxi opera actors or actresses encounter the great challenge of inheritance protection and continuous innovation. From the perspectives of vocal music,accompaniment and performance,modern Shaanxi opera actors or actresses should grasp typical features and inner world of characters as well as stage techniques so as to create popular classic roles and satisfy demand of the audience.
The new generation of Shaanxi opera actors or actresses encounter the great challenge of inheritance protection and continuous innovation. From the perspectives of vocal music,accompaniment and performance,modern Shaanxi opera actors or actresses should grasp typical features and inner world of characters as well as stage techniques so as to create popular classic roles and satisfy demand of the audience.
引文
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[3]吕自强.秦腔音乐概论[M].西安:太白文艺出版社,1997:49.
[4]李小锋:不要用看电影的眼光去看戏[N].华商报,2016-03-14(B07).
[5]俞为民,孙蓉蓉.历代曲话汇编——新编中国古典戏曲论著集成:近代编(第二集)[M].合肥:黄山书社,2009:185.
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[7]王宏维.命定与抗争[M].北京:生活·读书·新知三联书店,1996:45.