民族影视作品对民族传统文化的承载探究
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摘要
民族影视作品是高度折射民族传统文化,体现社会对民族影视作品内在文化诉求,对接主流价值观的可视化艺术载体。一方面民族影视作品的扩展必然要以传统文化的框架性构建,特别是民族影视作品历史背景的套取以及民族历史文化为基础;另一方面民族影视作品的"民族性"塑造离不开民族传统文化的填充;此外,社会主流价值观的主题承载是民族影视作品天然的使命[1]。因此,基于文化视域下透析民族影视作品的民族传统文化承载,成为繁荣民族影视作品市场,加强影视作品原生态文化构建的必然举措。
National film and television works are highly visible national traditional culture, reflecting the society's internal cultural appeals to national film and television works, and the visual art carrier of docking mainstream values. On the one hand, the expansion of national film and television works must be constructed in the framework of traditional culture,especially the historical background of national film and television works. It is necessary to be based on national history and culture; on the other hand, the "nationality" of national film and television works is shaped away. The filling of national traditional culture is not open; in addition, the theme of social mainstream values is the natural mission of national film and television works[1]. Therefore, based on the cultural perspective, dialysis of the national traditional culture bearing the national film and television works has become an inevitable measure to prosper the national film and television works market and strengthen the original ecological culture of film and television works.
National film and television works are highly visible national traditional culture, reflecting the society's internal cultural appeals to national film and television works, and the visual art carrier of docking mainstream values. On the one hand, the expansion of national film and television works must be constructed in the framework of traditional culture,especially the historical background of national film and television works. It is necessary to be based on national history and culture; on the other hand, the "nationality" of national film and television works is shaped away. The filling of national traditional culture is not open; in addition, the theme of social mainstream values is the natural mission of national film and television works[1]. Therefore, based on the cultural perspective, dialysis of the national traditional culture bearing the national film and television works has become an inevitable measure to prosper the national film and television works market and strengthen the original ecological culture of film and television works.
引文
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[2]邵希炜.大力探索运用影视文化塑造国家政府形象[J].电视指南,2017,(6).
[3]王莲.跨文化语境下少数民族影视作品的汉英翻译[J].民族翻译,2015,(2).
[4]张婷婷.21世纪我国少数民族影视对民族文化的传播分析[J].学术探索,2014,(12).
[5]李倩,张怀强.云南少数民族影视研究综述[J].大众文艺,2014,(15).
[6]钱丽,李新,李向玲,徐亚勤.云南少数民族影视资源与高校校园文化建设创新[J].大理学院学报,2014,(1).
[7]钱丽,李新,李向玲,徐亚勤.浅谈少数民族影视文化融入校园文化的现实意义[J].科技视界,2014,(2).
[8]王灿,李勇军.少数民族影视产业发展现状及其思考[J].国际文化管理,2013,(00).
[9]王泉.电视剧《西藏秘密》的史诗性[J].声屏世界.2014,(2).
[10]脱慧洁.藏族题材电视剧的叙事流变[J].湖北民族学院学报(哲学社会科学版),2013,(6).
[11]阎莉.傣族的稻作与祭祀[J].贵州民族研究,2011,(5).
[12]谢婉若.少数民族影视中民俗意象研究[J].当代文坛,2011,(5).
[13]李语然,郭婷.电视剧《木府风云》主流价值观的美学表达[J].当代电视,2012,(8).
[14]郭鹏群.《香格里拉》:民族审美风格的张扬与创新[J].电影文学,2012,(14).
[15]余宏超.从自我救赎到主动侵入———试论中国少数民族电视剧中英雄形象[J].宿州教育学院学报,2012,(3).