摘要
丘仓海内渡时期,诗歌激宕着一股慷慨不平之气,充满以民族危亡为己任的悲悯情怀,诗风沉郁悲怆。晚年之作以惠州诗为代表,多山水之咏,诗人在山水之中尽情地享受安适与快乐,借以调适和抚慰自己心理上的失衡,诗风潇旷闲适。早期因国仇而导致的悲愤激昂此时已荡然无存。但无论是早期之悲怆还是晚年之恬淡,都是诗人"吾之今"的真实表现。
Within the period of Qiu's Cang Hai ferry, his poems were filled with a feeling of generosity andunfairness, a feeling of compassion of national peril, so his poetic style was depressed and melancholy. Hisworks of the late years were represented by the poems of Huizhou and full of subjects of mountains and rivers.The poet enjoyed his comfort and happiness in the mountains and waters, so as to adjust and soothe his psycho-logical imbalance. So the style of his poems is leisurely and unrestrained, and the anger and indignationcaused by national hatred at the early times was gone. But whether it is early sadness or late leisure, it is thereal expression of the poet's My present.
引文
[1]丘逢甲.岭云海日楼诗钞[M].上海:上海古籍出版社,2009.
[2]丘逢甲.仓海君庚戌罗浮游草[C]//丘逢甲.丘逢甲文集.广州:花城出版社,1994.
[3]吴宏聪,李鸿忠.丘逢甲研究[C]//广州:广东人民出版社,1986:90.
[4]钱仲联.人境庐诗草笺注[M].上海:上海古籍出版社,1981:1249.
(1)本文凡引丘逢甲诗出自该书者以下皆不作注。