高罗佩《大唐狄公案》中的青楼文化书写探析
|
摘要
高罗佩在其《大唐狄公案》的多个篇章中,通过青楼文化的多元化呈现、青楼女子塑造中的女性主义意识以及青楼女子犯罪形象的人性化关照等不同方面,既投射出其对命途乖蹇的风尘女子表露出的浓郁的人道主义关怀,也反映了其力图展现复杂真实人性的创作希冀。由此,作为汉学家的高罗佩一方面为西方读者开启了一个认识、审视古代中国社会生活的特殊文化视角,潜在地反映了其对中国古代两性关系文化的独特思考和认知,另一方面又以女性主义色彩和复杂人性审视凸显出其在西方思想、文化背景下所映射出的理性反思精神,二者的有机融合折射了高罗佩在文学创作乃至学术研究中所秉持的一种取道东西、博采众长、兼收并蓄的基本理念。
Robert van Gulik, the Dutch sinologist, mounds the feminist mentality of girls in the whorehouse and his humanitarian care for these women with the criminal image through the diversification presentation of the brothel culture in many chapters of Celebrated Cases of Judge Dee. These writings not only expresses his strong humanitarian concerns for those prostitutes with tough fates, but also reflects his writing design to reveal the true and complicated humanity. On the one hand, Robert van Gulik, as a sinologist, opens a special cultural viewpoint in one hand to acquaint and scan the social life in ancient China and reflects his unique consideration and recognition to the sexual relations in ancient China. In the other hand, he shows out his rational spirit of retrospection under the background of the western conception and culture by means of the feminist color and complicated human nature. The organic integration of both reflects back his fundamental conception with combining the advantages from both east and west, learning the superiority from other strong points and absorbing anything and everything in his literary creation and even academic research.
Robert van Gulik, the Dutch sinologist, mounds the feminist mentality of girls in the whorehouse and his humanitarian care for these women with the criminal image through the diversification presentation of the brothel culture in many chapters of Celebrated Cases of Judge Dee. These writings not only expresses his strong humanitarian concerns for those prostitutes with tough fates, but also reflects his writing design to reveal the true and complicated humanity. On the one hand, Robert van Gulik, as a sinologist, opens a special cultural viewpoint in one hand to acquaint and scan the social life in ancient China and reflects his unique consideration and recognition to the sexual relations in ancient China. In the other hand, he shows out his rational spirit of retrospection under the background of the western conception and culture by means of the feminist color and complicated human nature. The organic integration of both reflects back his fundamental conception with combining the advantages from both east and west, learning the superiority from other strong points and absorbing anything and everything in his literary creation and even academic research.
引文
[1]高罗佩.玉珠串[C]//高罗佩.大唐狄公案:第5册.陈来元,胡明,译.海口:海南出版社,2011.
[2]高罗佩.四漆屏[C]//高罗佩.大唐狄公案:第2册.陈来元,胡明,译.海口:海南出版社,2011.
[3]高罗佩.中国古代房内考[M].李零,郭晓惠,李晓晨,等,译.北京:商务印书馆,2007.
[4]陶慕宁.青楼文化与中国文学[M].北京:东方出版社,2006:3.
[5]西蒙娜·德·波伏瓦.第二性[M].郑克鲁,译.上海:上海译文出版社,2015.
[6]贺萧.危险的愉悦:20世纪上海的娼妓问题与现代性[M].韩敏中,盛宁,译.南京:江苏人民出版社,2003:98
[7]乔治·巴塔耶.色情史[M].刘晖,译.北京:商务印书馆,2009:118.
[8]刘传霞.论现代文学叙述中妓女形象谱系与话语模式[C]//谭琳,姜秀花.性别平等与文化建构.北京:社会科学文献出版社,2012:268.
[9]张萍,高罗佩.沟通中西文化的使者[M].北京:中华书局,2010:164.
[10]罗海澜,高罗佩.《大唐狄公案》女性主义色彩研究[J].西南民族大学学报,2012(3):169-172.
[11]高罗佩.铜钟案[C]//高罗佩.大唐狄公案:第3册.陈来元,胡明,译.海口:海南出版社,2011:114.
[12]斋藤茂.妓女与文人[M].申荷丽,译.北京:商务印书馆,2011.
[13]高罗佩.黑狐狸[C]//高罗佩.大唐狄公案:第4册.陈来元,胡明,译.海口:海南出版社,2011:102-103.
[14]严羽.沧浪诗话笺注[M].胡才甫,笺注.杭州:浙江古籍出版社,2015:21.
[15]陆时雍.诗境总论[M].李子广,评注.北京:中华书局,2014.
[16]江晓原,云雨.性张力下的中国人[M].上海:东方出版中心,2006:223.
[17]米歇尔·福柯.性经验史[M].佘碧平,译.上海:上海人民出版社,2005:414-415.
[18]阿兰·罗布·格里耶.未来小说之路[C]//伍蠡甫,胡经之.西方文艺理论名著选编.谷冰,译.北京:北京大学出版社,1987:255.
[19]刘再复.性格组合论[M].北京:中国人民大学出版社,2010:158.
[20]刘学锴.温庭筠全集校注[M].北京:中华书局,2007:380.
[21]福斯特E M.小说面面观[M].冯涛,译.上海:上海译文出版社,2016:62.
[2]高罗佩.四漆屏[C]//高罗佩.大唐狄公案:第2册.陈来元,胡明,译.海口:海南出版社,2011.
[3]高罗佩.中国古代房内考[M].李零,郭晓惠,李晓晨,等,译.北京:商务印书馆,2007.
[4]陶慕宁.青楼文化与中国文学[M].北京:东方出版社,2006:3.
[5]西蒙娜·德·波伏瓦.第二性[M].郑克鲁,译.上海:上海译文出版社,2015.
[6]贺萧.危险的愉悦:20世纪上海的娼妓问题与现代性[M].韩敏中,盛宁,译.南京:江苏人民出版社,2003:98
[7]乔治·巴塔耶.色情史[M].刘晖,译.北京:商务印书馆,2009:118.
[8]刘传霞.论现代文学叙述中妓女形象谱系与话语模式[C]//谭琳,姜秀花.性别平等与文化建构.北京:社会科学文献出版社,2012:268.
[9]张萍,高罗佩.沟通中西文化的使者[M].北京:中华书局,2010:164.
[10]罗海澜,高罗佩.《大唐狄公案》女性主义色彩研究[J].西南民族大学学报,2012(3):169-172.
[11]高罗佩.铜钟案[C]//高罗佩.大唐狄公案:第3册.陈来元,胡明,译.海口:海南出版社,2011:114.
[12]斋藤茂.妓女与文人[M].申荷丽,译.北京:商务印书馆,2011.
[13]高罗佩.黑狐狸[C]//高罗佩.大唐狄公案:第4册.陈来元,胡明,译.海口:海南出版社,2011:102-103.
[14]严羽.沧浪诗话笺注[M].胡才甫,笺注.杭州:浙江古籍出版社,2015:21.
[15]陆时雍.诗境总论[M].李子广,评注.北京:中华书局,2014.
[16]江晓原,云雨.性张力下的中国人[M].上海:东方出版中心,2006:223.
[17]米歇尔·福柯.性经验史[M].佘碧平,译.上海:上海人民出版社,2005:414-415.
[18]阿兰·罗布·格里耶.未来小说之路[C]//伍蠡甫,胡经之.西方文艺理论名著选编.谷冰,译.北京:北京大学出版社,1987:255.
[19]刘再复.性格组合论[M].北京:中国人民大学出版社,2010:158.
[20]刘学锴.温庭筠全集校注[M].北京:中华书局,2007:380.
[21]福斯特E M.小说面面观[M].冯涛,译.上海:上海译文出版社,2016:62.