近代民间服饰中“线”的构成特征分析
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摘要
文章依据江南大学民间服饰传习馆中带有线造型的服饰品,详细分析线饰在近代汉族民间服饰中的构成特征。首先将线形的构成方式进行分类归纳;其次分析民间服饰中的线形在构成中表现的装饰艺术,并依托实物阐述其线饰特点;最后对线形在构成艺术中表现的传统美和构成规律进行探究,归纳总结出民间服饰中线在构成法则中表现出对称与节奏的形式美、写实与会意性的线饰造型美感、美用一体的功能性美感等,了解线饰真正的内涵和底蕴,从而将线条的美感运用到现代设计创作中。
Based on the garment accessories with the line modeling in the folk costumes Museum of Jiangnan University,composition characteristics of line decoration in the folk dress of modern Han nationality were specifically explored in this article. Firstly,the composition methods of line form were classified and summed up. Secondly,the decorative art of the line form in the folk costume were analyzed,and the line decoration features were on the basis of materials. Finally,the traditional beauty and the composition rules of the line form in the art of composition were explored. The aesthetic feelings of the middle line in the composition of the folk costume were summed up,namely symmetrical and rhythmic form beauty; realistic and idealistic line decoration; the functional beauty of the integration of beauty and practicality so as to understand the true meaning and background and apply the beauty of lines in modern design creation.
Based on the garment accessories with the line modeling in the folk costumes Museum of Jiangnan University,composition characteristics of line decoration in the folk dress of modern Han nationality were specifically explored in this article. Firstly,the composition methods of line form were classified and summed up. Secondly,the decorative art of the line form in the folk costume were analyzed,and the line decoration features were on the basis of materials. Finally,the traditional beauty and the composition rules of the line form in the art of composition were explored. The aesthetic feelings of the middle line in the composition of the folk costume were summed up,namely symmetrical and rhythmic form beauty; realistic and idealistic line decoration; the functional beauty of the integration of beauty and practicality so as to understand the true meaning and background and apply the beauty of lines in modern design creation.
引文
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[2]张燕.论线化的中国艺术[J].艺术百家,1999(3):101-108.ZHANG Yan.Chinese art of linear theory[J].Hundred Schools in Art,1999(3):101-108.
[3]王春燕.解构主义风格服装中的线形表现及应用[J].丝绸,2015,52(2):51-55.WANG Chunyan.Expression and application of line in deconstructivism style garments[J].Journal of Silk,2015,52(2):51-55.
[4]瓦西里·康定斯基.点线面[M].余敏诗,译.重庆:重庆大学出版社,2017:92.WASSILY·Kandinsky.Point and Line to Plane[M].Translated by YU Minshi.Chongqing:Chongqing University Publishing House,2017:92.
[5]董庆文,宋瑞霞.服饰图案的设计与表现[M].北京:中国轻工业出版社,2014:24.DONG Qingwen,SONG Ruixia.Design and Performance of Dress Patterns[M].Beijing:China Light Industry Publishing House,2014:24.
[6]杜洪.中国传统图案与现代构成艺术的交汇点[J].装饰,2005(1):121-122.DU Hong.Converging point of Chinese traditional pattern and modern construction art[J].ZHUANGSHI,2005(1):121-122.
[7]夏婷婷,崔荣荣,廖春妹.传统荷包边饰艺术分析[J].纺织学报,2016,37(7):126-130.XIA Tingting,CUI Rongrong,LIAO Chunmei.Analysis on trimming art of traditional pouch[J].Journal of Textile Research,2016,37(7):126-130.
[8]张灏.汉服审美[M].天津:天津大学出版社,2013:101-108.ZHANG Hao.Aesthetics of Hanfu[M].Tianjin:Tianjin University Press,2013:101-108.