摘要
林语堂在专著《中国人》和《苏东坡传》中站在西方人接受心理的角度阐释中国书法,提出了独到的书法美学观点。林语堂充分肯定了书法的地位和价值,分析了以"动"为核心的书法美学范畴,以西方抽象画为参照来阐释书法的性质,并且以形式分析法为基础阐释书法美学欣赏。林语堂的书法美学观维持了书法"民族性"与"世界性"的平衡,他在80多年前提出的书法美学观点对当今中国书法文化的国际推广仍有现实的参考价值。
Lin Yutang presented unique ideas of calligraphy aesthetics in his books My Country and My People and Su Dongpo zhuan on the basis of the westerners' acceptance psychological angle.Lin Yutang affirmed the high status and value of calligraphy,analyzed the calligraphy aesthetic categories which centered on dynamics,illustrated the property of calligraphy compared with western abstract painting,and explained calligraphy appreciation based on formal analysis.Lin Yutang's calligraphy aesthetics balanced calligraphy's nationality and internationality and the viewpoints he presented 80 years ago about calligraphy aesthetics still have realistic value in contemporary calligraphy international promotion.
引文
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