林语堂的书法美学观
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摘要
林语堂在专著《中国人》和《苏东坡传》中站在西方人接受心理的角度阐释中国书法,提出了独到的书法美学观点。林语堂充分肯定了书法的地位和价值,分析了以"动"为核心的书法美学范畴,以西方抽象画为参照来阐释书法的性质,并且以形式分析法为基础阐释书法美学欣赏。林语堂的书法美学观维持了书法"民族性"与"世界性"的平衡,他在80多年前提出的书法美学观点对当今中国书法文化的国际推广仍有现实的参考价值。
Lin Yutang presented unique ideas of calligraphy aesthetics in his books My Country and My People and Su Dongpo zhuan on the basis of the westerners' acceptance psychological angle.Lin Yutang affirmed the high status and value of calligraphy,analyzed the calligraphy aesthetic categories which centered on dynamics,illustrated the property of calligraphy compared with western abstract painting,and explained calligraphy appreciation based on formal analysis.Lin Yutang's calligraphy aesthetics balanced calligraphy's nationality and internationality and the viewpoints he presented 80 years ago about calligraphy aesthetics still have realistic value in contemporary calligraphy international promotion.
Lin Yutang presented unique ideas of calligraphy aesthetics in his books My Country and My People and Su Dongpo zhuan on the basis of the westerners' acceptance psychological angle.Lin Yutang affirmed the high status and value of calligraphy,analyzed the calligraphy aesthetic categories which centered on dynamics,illustrated the property of calligraphy compared with western abstract painting,and explained calligraphy appreciation based on formal analysis.Lin Yutang's calligraphy aesthetics balanced calligraphy's nationality and internationality and the viewpoints he presented 80 years ago about calligraphy aesthetics still have realistic value in contemporary calligraphy international promotion.
引文
[1]林语堂.中国人[M].郝志东,沈益洪,译.上海:学林出版社,1994.
[2]宗白华.中西画法所表现的空间意识[M]//美学散步.上海:上海人民出版社,1981:138.
[3]邓以蛰.书法之欣赏[M]//邓以蛰全集.合肥:安徽教育出版社,1998.
[4]宗白华.中国书法里的美学思想[M]//美学散步.上海:上海人民出版,1981:161.
[5]林语堂.苏东坡传[M].宋碧云,译.台北:远景出版事业公司,1979.
[6]陈思.秦汉魏四朝用笔法[M]//历代书法论文选.上海:上海书画出版社,2014:398.
[7]张彦远.历代名画记:第二卷[M]秦仲文,黄苗子,点校.启功,黄苗子,参校.北京:人民美术出版社,2016:23.
[8]李泽厚.略论书法[J].中国书法,1986(1):13-14.
[9]叶秀山,王强,刘树勇,等.与叶秀山先生谈书法[J].书法研究,1996(1):1-11.
[10]刘宗超.现代美学家书法美学研究述评[J].书法研究,2002(1):92-118.
[11]毛万宝.书法美学论稿[M].北京:中国文联出版社,1999:184.
[12]刘桂荣.回顾与展望:中国古典美学之路[J].河北大学学报(哲学社会科学版),2009(1):15-18.
[2]宗白华.中西画法所表现的空间意识[M]//美学散步.上海:上海人民出版社,1981:138.
[3]邓以蛰.书法之欣赏[M]//邓以蛰全集.合肥:安徽教育出版社,1998.
[4]宗白华.中国书法里的美学思想[M]//美学散步.上海:上海人民出版,1981:161.
[5]林语堂.苏东坡传[M].宋碧云,译.台北:远景出版事业公司,1979.
[6]陈思.秦汉魏四朝用笔法[M]//历代书法论文选.上海:上海书画出版社,2014:398.
[7]张彦远.历代名画记:第二卷[M]秦仲文,黄苗子,点校.启功,黄苗子,参校.北京:人民美术出版社,2016:23.
[8]李泽厚.略论书法[J].中国书法,1986(1):13-14.
[9]叶秀山,王强,刘树勇,等.与叶秀山先生谈书法[J].书法研究,1996(1):1-11.
[10]刘宗超.现代美学家书法美学研究述评[J].书法研究,2002(1):92-118.
[11]毛万宝.书法美学论稿[M].北京:中国文联出版社,1999:184.
[12]刘桂荣.回顾与展望:中国古典美学之路[J].河北大学学报(哲学社会科学版),2009(1):15-18.