立体书纸艺设计探讨
摘要
与立体书相关的主题在亚洲较少被提及,除了童书之外,多数立体书仍以欧美进口书占大宗,近年,随著亚洲收藏家和创作者的出现,如此小众的主题,慢慢开始进入观众的视野。本文由于立体书制作的兴趣热忱,针对立体书纸艺设计做出一系列相关研究。研究注重于立体书设计以及其目前和科技的整合应用。
The topics related to pop-up books are rarely discussed in Asia.Except for children books, most of the pop-up books are imported from Europe and America. Recently years, with the emergence of Asian collectors and creators, these topics of specific markets started to catch the audience's attention gradually.With the enthusiasm of making pop-up books, This article conducted a series of relevant research on the paper art design of pop-up books. The research focuses on pop-up book design and the integration and application with current technologies.
The topics related to pop-up books are rarely discussed in Asia.Except for children books, most of the pop-up books are imported from Europe and America. Recently years, with the emergence of Asian collectors and creators, these topics of specific markets started to catch the audience's attention gradually.With the enthusiasm of making pop-up books, This article conducted a series of relevant research on the paper art design of pop-up books. The research focuses on pop-up book design and the integration and application with current technologies.
引文
[1]杨清贵.立体书不可思议[M].时报文化,2015:历史年份拉页.
[2]保罗·杰克逊.立体设计的裁切与折叠技术[M].文化发展出版社,2015,(03).
[3] Nobuko Taketa, Kenichi Hayash, Hirokazu Kato, Shogo Noshida. Beyond the Binding:Exploring the Future Book[C]. Springer,2007.01-02.
[4] David.A.Carter, James Diaz. The Elements of Pop-up[N]. Little Simon,1999:1-18.
[5] Duncan Birmingham. Pop-Up Design and Paper Mechanics[N].Guild of Master Craftsman Publications Ltd, 2011.
[2]保罗·杰克逊.立体设计的裁切与折叠技术[M].文化发展出版社,2015,(03).
[3] Nobuko Taketa, Kenichi Hayash, Hirokazu Kato, Shogo Noshida. Beyond the Binding:Exploring the Future Book[C]. Springer,2007.01-02.
[4] David.A.Carter, James Diaz. The Elements of Pop-up[N]. Little Simon,1999:1-18.
[5] Duncan Birmingham. Pop-Up Design and Paper Mechanics[N].Guild of Master Craftsman Publications Ltd, 2011.