欧洲文化艺术交流视野下的景德镇青花瓷
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摘要
景德镇青花瓷是中国传统文化的结晶,也是中国与西方国家文化艺术的交流的重要载体。16世纪它零星地传入欧洲,经过17-18世纪的发展,逐渐风靡欧洲,19世纪景德镇青花瓷广泛渗入到欧洲社会,对其文化艺术产生了深刻影响,催生了许多特殊的文化现象。在中国陶瓷史上青花瓷有着无可比拟的历史地位,青花瓷以其清新雅致、意境悠远、传世量少,成为广大研究人员的争相研究的对象。本文将通过对青花瓷的造成特色以及成型工艺进行分析研究,阐述其艺术内涵,加深对青花瓷的认识和了解。
Jingdezhen blue and white porcelain is the crystallization of Chinese traditional culture, and it is also an important carrier for the exchange of cultural and art between China and the western countries. It was introduced into Europe in sixteenth Century. After 17-18 centuries of development, it gradually became popular in Europe. In nineteenth Century, Jingdezhen blue and white porcelain infiltrated into the European society, which had a profound impact on its culture and art, and gave birth to many special cultural phenomena. In the history of Chinese ceramics, blue and white porcelain has an unparalleled historical position. Blue and white porcelain has been widely studied by many researchers for its refreshing elegance, artistic conception and less quantity. This article will analyze the characteristics and molding process of the blue and white porcelain, and expound its artistic connotation and deepen the understanding and understanding of the blue and white porcelain.
Jingdezhen blue and white porcelain is the crystallization of Chinese traditional culture, and it is also an important carrier for the exchange of cultural and art between China and the western countries. It was introduced into Europe in sixteenth Century. After 17-18 centuries of development, it gradually became popular in Europe. In nineteenth Century, Jingdezhen blue and white porcelain infiltrated into the European society, which had a profound impact on its culture and art, and gave birth to many special cultural phenomena. In the history of Chinese ceramics, blue and white porcelain has an unparalleled historical position. Blue and white porcelain has been widely studied by many researchers for its refreshing elegance, artistic conception and less quantity. This article will analyze the characteristics and molding process of the blue and white porcelain, and expound its artistic connotation and deepen the understanding and understanding of the blue and white porcelain.
引文
[1][英]简.迪维斯,熊寥,译.欧洲瓷器史[M].杭州:浙江美术学院出版社,1991
[2]黄忠杰.波兰王奥古斯都二世收藏的中国外销瓷艺术研究[D].福建师范大学博士论文,2012:160
[3]《瑞典所藏的中国外销瓷》[J].文物,1981(5)
[4][德]利奇温.十八世纪中国与欧洲文化的接触[M].朱杰勤,译.北京:商务印书馆,1962
[5]詹嘉.中外陶瓷文化交流[M].北京:中国社会出版社,2004
[6]景德镇青花瓷器艺术发展史研究2014-04-01
[7]中国硅酸盐学会.中国陶瓷史.[M]北京:文物出版社,1982年
[8]刘寒.欧洲文化艺术交流视野下的景德镇青花瓷[J].陶瓷学报.2015-12-15
[9]刘寒.景德镇青花瓷与欧洲文化艺术的交流[J].中国陶瓷.2016-07-05
[10]刘谦功.荷兰陶瓷之都代尔夫特崛起的历史动因与现实意义[M],清华大学2007-04-01
[2]黄忠杰.波兰王奥古斯都二世收藏的中国外销瓷艺术研究[D].福建师范大学博士论文,2012:160
[3]《瑞典所藏的中国外销瓷》[J].文物,1981(5)
[4][德]利奇温.十八世纪中国与欧洲文化的接触[M].朱杰勤,译.北京:商务印书馆,1962
[5]詹嘉.中外陶瓷文化交流[M].北京:中国社会出版社,2004
[6]景德镇青花瓷器艺术发展史研究2014-04-01
[7]中国硅酸盐学会.中国陶瓷史.[M]北京:文物出版社,1982年
[8]刘寒.欧洲文化艺术交流视野下的景德镇青花瓷[J].陶瓷学报.2015-12-15
[9]刘寒.景德镇青花瓷与欧洲文化艺术的交流[J].中国陶瓷.2016-07-05
[10]刘谦功.荷兰陶瓷之都代尔夫特崛起的历史动因与现实意义[M],清华大学2007-04-01