论郑珍奥涩诗风的形成与艺术特征
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摘要
郑珍作为清代著名诗人,其诗歌呈现出了颇为多样的艺术风格。《巢经巢诗钞》能够融"奥衍"与"平易"于一炉,合"学人之诗"与"诗人之诗"而一之,历来受到诗人学者的珍视。虽然后人对其诗风推崇的角度各异,但是平心而论,郑珍真正在当时和后世产生巨大影响的,是一批以所谓"生涩奥衍"为特色的诗作。这些诗歌在诗学理论上体现了郑氏对学人之诗的自觉选择和承续,且多围绕赠答、山水、考据等几种特定主题展开,经由用典、奇字、句式特殊化处理等手法,力求在内容与形式上都以奥涩为主导风格,从而实现诗歌的陌生化,给人以回味咀嚼的空间。
Zheng Zhen was a famous poet in Qing Dynasty and his poems were so rich and varied that they covered different styles.Chao-jing-chao Poetry Anthology could combine the style of abstruseness and nature and the combination of romantic poetry and academic poetry won undivided admiration.Although later generations have different perspectives on his poetic style,but in all fairness,Zheng Zhen really had a great influence at that time and later generations on the so-called obscure poems which had certain subject in contents but obscure in forms.His poems focused on several specific themes such as gift-giving,landscape,and textual investigations with the conscious choices and inheritance of Zheng's academic poetic style in order to achieve defamiliarization effect and make readers to ponder.
Zheng Zhen was a famous poet in Qing Dynasty and his poems were so rich and varied that they covered different styles.Chao-jing-chao Poetry Anthology could combine the style of abstruseness and nature and the combination of romantic poetry and academic poetry won undivided admiration.Although later generations have different perspectives on his poetic style,but in all fairness,Zheng Zhen really had a great influence at that time and later generations on the so-called obscure poems which had certain subject in contents but obscure in forms.His poems focused on several specific themes such as gift-giving,landscape,and textual investigations with the conscious choices and inheritance of Zheng's academic poetic style in order to achieve defamiliarization effect and make readers to ponder.
引文
[1]白敦仁.巢经巢诗钞笺注[M].杭州:浙江古籍出版社,2016.
[2]钱仲联.梦苕庵清代文学论集[M].济南:齐鲁书社,1983.
[3]陈衍.石遗室诗话[M].上海:上海书店出版社,2002.
[4]钱仲联.清诗纪事[M].南京:江苏古籍出版社,1989.
[5]缪钺.缪钺全集:第2卷:冰茧庵古典文学论集[M].石家庄:河北教育出版社,2004.
[6]陈衍.近代诗钞[M].上海:商务印书馆,1935.
[7]刘世南.清诗流派史[M].北京:人民文学出版社,2004.
[8]钱谦益.牧斋有学集[M].上海:上海古籍出版社,1996.
[9]吕留良,吴之振,吴自牧.宋诗钞[M].上海:商务印使馆,1935.
[10]袁枚.随园诗话[M].北京:人民文学出版社,1982.
[11]厉鹗.樊谢山房集[M].上海:上海古籍出版社,1992.
[12]郑珍.巢经巢诗文集[M].上海:上海古籍出版社,2016.
[13]钱钟书.谈艺录(补订重排本)[M].北京:生活·读书·新知三联书店,2001.
[14]赵杏根.论晚清宋诗派巨子郑珍的诗[J].苏州大学学报(哲学社会科学版),1998(4).
[15]王力.古代汉语:第4册[M].北京:中华书局,1999.
[16]马亚中.略论明清时期诗文别集[J].徐州工程学院学报(社会科学版),2012(1).
(1)案:《送翁祖庚(同书)中允毕典黔学入觐四首》,附有《上翁中允书》一文,其中:“五年化雨,膏编山国。比来学者,多知为文宜略识字。北江导古学于前,先生倡小学于后。阳湖教泽,开我人厚矣”云云,颇可见其诗学取法。
[2]钱仲联.梦苕庵清代文学论集[M].济南:齐鲁书社,1983.
[3]陈衍.石遗室诗话[M].上海:上海书店出版社,2002.
[4]钱仲联.清诗纪事[M].南京:江苏古籍出版社,1989.
[5]缪钺.缪钺全集:第2卷:冰茧庵古典文学论集[M].石家庄:河北教育出版社,2004.
[6]陈衍.近代诗钞[M].上海:商务印书馆,1935.
[7]刘世南.清诗流派史[M].北京:人民文学出版社,2004.
[8]钱谦益.牧斋有学集[M].上海:上海古籍出版社,1996.
[9]吕留良,吴之振,吴自牧.宋诗钞[M].上海:商务印使馆,1935.
[10]袁枚.随园诗话[M].北京:人民文学出版社,1982.
[11]厉鹗.樊谢山房集[M].上海:上海古籍出版社,1992.
[12]郑珍.巢经巢诗文集[M].上海:上海古籍出版社,2016.
[13]钱钟书.谈艺录(补订重排本)[M].北京:生活·读书·新知三联书店,2001.
[14]赵杏根.论晚清宋诗派巨子郑珍的诗[J].苏州大学学报(哲学社会科学版),1998(4).
[15]王力.古代汉语:第4册[M].北京:中华书局,1999.
[16]马亚中.略论明清时期诗文别集[J].徐州工程学院学报(社会科学版),2012(1).
(1)案:《送翁祖庚(同书)中允毕典黔学入觐四首》,附有《上翁中允书》一文,其中:“五年化雨,膏编山国。比来学者,多知为文宜略识字。北江导古学于前,先生倡小学于后。阳湖教泽,开我人厚矣”云云,颇可见其诗学取法。