摘要
本文以瑞典剧作家斯特林堡的《朱莉小姐》为研究对象,从社会表演批评入手,探讨《朱莉小姐》的角色设定、角色表演、角色表演的脆弱性及其与表演者的命运关系等。斯特林堡将社会表演的四大要素结合在一起,考虑的不仅是艺术技巧,更在于社会表演与角色命运的直接关系。朱莉小姐的角色表演可说是成也萧何败也萧何,她既是角色的成功表演者,更是人生悲剧的制造者和接受者。可见,角色表演已不再是一件简单的事情,它与人的命运构成了一种共生共灭的伙伴关系。
This article takes Swedish playwright Strindberg's Miss Julie as the study object,from the perspective of social performance criticism to discuss the role setting, the role playing,the fragility of the role playing, and the relation between the fragility and the performer's fates.Strindberg has combined four main elements of social performance together with the consideration not only of artistic skills but also of the direct relation between social performance and the characters' fates. The actress' s role-playing of Miss Julie is a double-edged sword, because she not only is a successful performer of the character, but moreover, she is the producer and receiver of her life tragedy. Therefore, the role playing is no longer a simple matter but becomes a partner relation with a person's fate.
引文
[1]荣广润,刘明厚.外国戏剧名著选读(上册)[M].北京:中国文联出版社,2003.
[2]孙惠柱.社会表演学[M].北京:商务印书馆,2009.
[3]欧文·戈夫曼.日常生活中的自我表现[M].徐江敏译.成都:四川人民出版社,1959.