传统毛衫图案的创新设计方法研究
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摘要
介绍根西毛衫、费尔岛毛衫、阿兰毛衫、考伊琴毛衫等传统毛衫的历史起源,以传统的费尔岛毛衫和考伊琴毛衫为典型案例,阐述传统毛衫图案的特点,并重点分析图案创新设计方法,包括图案色彩的创新设计、图案构图方式的创新设计、图案排列方式的创新设计。从色彩搭配、色彩分布、图案简约化、图案形状、构图方式及图案排列方式上,将传统元素融入到现代毛衫设计中。该研究继承与发展了传统毛衫,同时对现代毛衫的设计起到良好的启示作用。
In this paper, the historical origin of traditional cardigans such as Guernsey cardigan, Fair Island cardigan, Alan Island cardigan and Cowiqin cardigan were introduced. Taking the traditional Feir Island cardigan and Cowiqin cardigan as typical cases, it described the characteristics of traditional cardigan patterns focusing on innovative design method for patterns including the innovative design of pattern color, pattern composition, and pattern arrangement. And the traditional elements were integrated into modern cardigan design from color collocation,color distribution, pattern simplification, pattern shape, pattern composition and arrangement. This study inherits and develops the traditional cardugab, which has an enlightening effect for the design of modern cardigans.
In this paper, the historical origin of traditional cardigans such as Guernsey cardigan, Fair Island cardigan, Alan Island cardigan and Cowiqin cardigan were introduced. Taking the traditional Feir Island cardigan and Cowiqin cardigan as typical cases, it described the characteristics of traditional cardigan patterns focusing on innovative design method for patterns including the innovative design of pattern color, pattern composition, and pattern arrangement. And the traditional elements were integrated into modern cardigan design from color collocation,color distribution, pattern simplification, pattern shape, pattern composition and arrangement. This study inherits and develops the traditional cardugab, which has an enlightening effect for the design of modern cardigans.
引文
[1]毛莉莉.毛衫产品设计[M].北京:中国纺织出版社,2009.
[2]STARMORE A.Alice starmore’s book of fair isle knitting[M].Loveland:Dover Publications,2009.
[3]顾雯,刘晓刚.格恩西毛衫的设计应用[J].针织工业,2012(3):62-64.
[4]MCGREGOR S.Traditional fair isle knitting[M].Loveland:Dover Publications,2003.
[5]李菲,毛莉莉.Application of aran patterns in the sweater design[C]//TBIS2017论文集.武汉:第十届纺织生物工程及信息国际会议,2017:405-410.
[6]沈雷,沈玉迎,杨小艺.考伊琴毛衫的设计应用[J].针织工业,2014(1):56-58.
[7]FEITELSON A.The art of fair isle knitting:history,technique,color&patterns[M].Loveland:Interweave Press,2009.
[8]张茜.20世纪费尔岛针织的研究与设计创新[D].北京:北京服装学院,2012.
[9]李菲,毛莉莉.费尔岛图案在毛衫设计中的创新设计方法研究[C]//《上海纺织科技》杂志英文论文集.上海:第十一届纺织服装创新国际论坛,2017:149-154.
[10]沈雷.针织服装设计中的发散思维和收敛思维[J].针织工业,2005(1):50-52.
[11]张茜,刘元风,郭瑞萍.20世纪费尔岛针织与时装设计的融合[J].艺术设计研究,2011(3):25-28.
[2]STARMORE A.Alice starmore’s book of fair isle knitting[M].Loveland:Dover Publications,2009.
[3]顾雯,刘晓刚.格恩西毛衫的设计应用[J].针织工业,2012(3):62-64.
[4]MCGREGOR S.Traditional fair isle knitting[M].Loveland:Dover Publications,2003.
[5]李菲,毛莉莉.Application of aran patterns in the sweater design[C]//TBIS2017论文集.武汉:第十届纺织生物工程及信息国际会议,2017:405-410.
[6]沈雷,沈玉迎,杨小艺.考伊琴毛衫的设计应用[J].针织工业,2014(1):56-58.
[7]FEITELSON A.The art of fair isle knitting:history,technique,color&patterns[M].Loveland:Interweave Press,2009.
[8]张茜.20世纪费尔岛针织的研究与设计创新[D].北京:北京服装学院,2012.
[9]李菲,毛莉莉.费尔岛图案在毛衫设计中的创新设计方法研究[C]//《上海纺织科技》杂志英文论文集.上海:第十一届纺织服装创新国际论坛,2017:149-154.
[10]沈雷.针织服装设计中的发散思维和收敛思维[J].针织工业,2005(1):50-52.
[11]张茜,刘元风,郭瑞萍.20世纪费尔岛针织与时装设计的融合[J].艺术设计研究,2011(3):25-28.