肖江虹小说的民俗叙事
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摘要
民俗是青年作家肖江虹一直以来最为偏爱的书写主题。肖江虹以充满善意、怜悯的文心与精致、细腻的匠心将故土民俗作为叙事主体,或将民俗植入具体的社会生活事件,予以精细打磨,一步步雕琢出民俗的独特纹理,逼近了个体生命、社会生活与精神世界的真实镜像,并由此而上通过仪式的消解与坚持,演绎出民俗在城乡对峙和文化焦虑中的异化与陷落,亦让小说文本形成悲怆性、反思性的召唤本质。面对现代文明的种种困境,肖江虹在绵密的书写中通过复原、复魅让民俗回归生活的细流,亦藉此塑造了一系列坚挺的乡间人物,同时借助民俗与死亡的叙事勾连,辟出了一条蕴含了行为复归、精神回乡的救赎之路,实现了民俗叙事的重构与突围。
Folklore is one of the most favored writing themes for young writer Xiao Jianghong. He either regarded his homeland folk customs as the main body of narration with kindness,compassion and delicate and exquisite conception or he first finely polished and carved out the unique texture of folklore,and then put it into a specific social life event.Through the description of folklore,Xiao Jianghong made his narrative close to the true mirror of individual life,social life and the spiritual world. Through resolution and persistence of the ritual,he gave full play to the alienation and collapse of folklore in urban and rural confrontation and cultural anxiety. By this way,he made the text of his novels a summoning essence which has the characteristics of pathos and reflectiveness. In the face of the difficulties of modern civilization,through recovery and reenchantment,Xiao Jianghong made folklore return to life and shaped a series of tough rural figures in his dense writing. At the same time,with the help of the narrative of folklore and narrative of death,he opened up a way of redemption that contained the return of behavior and the return to the hometown of spirit. And finally,he realized the reconstruction and breakthrough of folk narrative.
Folklore is one of the most favored writing themes for young writer Xiao Jianghong. He either regarded his homeland folk customs as the main body of narration with kindness,compassion and delicate and exquisite conception or he first finely polished and carved out the unique texture of folklore,and then put it into a specific social life event.Through the description of folklore,Xiao Jianghong made his narrative close to the true mirror of individual life,social life and the spiritual world. Through resolution and persistence of the ritual,he gave full play to the alienation and collapse of folklore in urban and rural confrontation and cultural anxiety. By this way,he made the text of his novels a summoning essence which has the characteristics of pathos and reflectiveness. In the face of the difficulties of modern civilization,through recovery and reenchantment,Xiao Jianghong made folklore return to life and shaped a series of tough rural figures in his dense writing. At the same time,with the help of the narrative of folklore and narrative of death,he opened up a way of redemption that contained the return of behavior and the return to the hometown of spirit. And finally,he realized the reconstruction and breakthrough of folk narrative.
引文
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[16]张楚.俗世的温暖亮色与诗性的朴实穆静——肖江虹其人其文[N].贵州日报,2017-05-05(12).
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[18]列维·斯特劳斯.野性的思维[M].李幼蒸,译.北京:商务印书馆,1987:14.
[19]滕斌.近二十年日常叙事困境突围的理论审思[J].重庆邮电大学学报(社会科学版),2017(5):131.
[20]理查德·多尔逊.民俗学[M]//王汝澜.域外民俗学鉴要.银川:宁夏人民出版社,2005:14.
[21]丁帆.“城市异乡者”的梦想与现实——关于文明冲突中乡土描写的转型[J].文学评论,2005(4):33.
[22]丁帆.中国乡土小说史[M].北京:北京大学出版社,2007:338.
[2]邓榕.文化语境变迁下的乡土叙事——肖江虹小说论[J].当代文坛,2014(2):157.
[3]李海音.被抛弃者和被侮辱者——肖江虹小说论[J].当代作家评论,2014(2):128.
[4]肖江虹.百鸟朝凤[M].北京:作家出版社,2012.
[5]舒炜.乡间早没人能吹百鸟朝凤了——对话作家肖江虹[J].廉政瞭望,2016(6).
[6]肖江虹.蛊镇[M].西安:太白文艺出版社,2014.
[7]司马迁.史记[M].北京:中华书局,2006:671.
[8]鲁迅.中国新文学大系·小说二集[M].上海:上海文艺出版社,1980:序3.
[9]凯文·林奇.城市意象[M].方益萍,何晓军,译.北京:华夏出版社,2001:3.
[10]肖江虹.傩面[J].人民文学,2016(9):4.
[11]肖江虹.悬棺[J].人民文学,2014(9).
[12]袁定基.论放蛊和防蛊治蛊习俗[J].西南民族学院学报(哲学社会科学版),1995(2):1.
[13]钱穆.中国文化精神[M].北京:九州出版社,2012:51.
[14]周作人.自己的园地[M].长沙:岳麓书社,1987:177.
[15]周作人.永日集[M].长沙:岳麓书社,1988:605.
[16]张楚.俗世的温暖亮色与诗性的朴实穆静——肖江虹其人其文[N].贵州日报,2017-05-05(12).
[17]朱光潜.诗论[M].上海:上海古籍出版社,2001:17.
[18]列维·斯特劳斯.野性的思维[M].李幼蒸,译.北京:商务印书馆,1987:14.
[19]滕斌.近二十年日常叙事困境突围的理论审思[J].重庆邮电大学学报(社会科学版),2017(5):131.
[20]理查德·多尔逊.民俗学[M]//王汝澜.域外民俗学鉴要.银川:宁夏人民出版社,2005:14.
[21]丁帆.“城市异乡者”的梦想与现实——关于文明冲突中乡土描写的转型[J].文学评论,2005(4):33.
[22]丁帆.中国乡土小说史[M].北京:北京大学出版社,2007:338.