审美观照与价值重构——汉碑隶书与汉代建筑之比较略论
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摘要
碑体隶书发展至汉代已臻于高峰,其书法之美充分流露于"蚕头燕尾"的笔势之中,那波磔之笔深刻体现了汉代气势雄强的民族自信与灵动飞扬的审美追求。与汉碑隶书同为文明瑰宝的是汉代建筑,其精湛巧妙的设计思想与宽博舒展的艺术造型,在汉代艺术中也占据着重要的地位。毋庸赘言,从文化思想及艺术审美的视角探寻汉碑隶书与汉代建筑的历史渊源,这将对当今汉代艺术与中国传统文化的振兴起到积极的促进作用。
The Han Script has developed into peak in Han dynasty. and fully revealed the calligraphy beauty in the handwriting of the Silkworm and Dovetail. The pen has deeply reflected the powerful nature, self-confidence and aesthetic pursuit of Han people. The Han Dynasty architecture, which is the same as the calligraphy of the Han Dynasty, is the civilization treasure of Han Dynasty. Its exquisite design and the artistic style are undoubtedly occupying an important position in the art of Han Dynasty. From the perspective of cultural thoughts and artistic aesthetic, this article explores the history the official script of Han Dynasty Stele and the Han Dynasty architectural heritage, which will play a positive role in promoting the study of Han Dynasty art in the new period and the revitalization of traditional Chinese culture.
The Han Script has developed into peak in Han dynasty. and fully revealed the calligraphy beauty in the handwriting of the Silkworm and Dovetail. The pen has deeply reflected the powerful nature, self-confidence and aesthetic pursuit of Han people. The Han Dynasty architecture, which is the same as the calligraphy of the Han Dynasty, is the civilization treasure of Han Dynasty. Its exquisite design and the artistic style are undoubtedly occupying an important position in the art of Han Dynasty. From the perspective of cultural thoughts and artistic aesthetic, this article explores the history the official script of Han Dynasty Stele and the Han Dynasty architectural heritage, which will play a positive role in promoting the study of Han Dynasty art in the new period and the revitalization of traditional Chinese culture.
引文
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(1)图片来源:中华珍宝馆官网。
(2)图片来源:http://gaoqing.3zitie.cn/
(3)图片来源:http://www.360doc.com/content/16/1202/19/10252834_611373393.shtml
(4)图片来源:http://image.baidu.com/search/detailct
[2]金学智.中国书法美学[M].南京:江苏文艺出版社,1994:472.
[3]华人德.中国书法史·两汉卷[M].南京:江苏教育出版社,2009:137.
[4]杨鸿勋.宫廷考古通论[M].北京:北京紫禁城出版社,2001:53.
[5]鲁迅.鲁迅书信集(下卷)[M].北京:人民文学出版社,1976:873.
[6]李泽厚.美学三书[M].天津:天津社会科学院出版社,2003:261.
[7]徐飚.成器之道:先秦工艺造物思想研究[M].南京:南京师范大学出版社,1999:188-189.
[8]冯友兰.中国哲学史[M].北京:人民文学出版社,1930:486.
[9]陈丽桂.汉代道家思想[M].北京:中华书局,2015:131.
[10](英)迈克尔·苏利文著,徐坚译.中国艺术史[M].上海:上海人民出版社,2014:75.
(1)图片来源:中华珍宝馆官网。
(2)图片来源:http://gaoqing.3zitie.cn/
(3)图片来源:http://www.360doc.com/content/16/1202/19/10252834_611373393.shtml
(4)图片来源:http://image.baidu.com/search/detailct