傣族竹编及其在现代家具设计中的应用
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摘要
傣族竹编工艺是我国少数民族的传统手工艺,将傣族竹编工艺应用到现代家具设计中,不仅可以提高现代设计的文化内涵,还可以促进传统手工艺的升级和少数民族文化的发扬。以傣族竹编为研究对象,分析了傣族竹编的产业现状、编织技法以及产品特点,总结了竹编在现代家具设计中的表现形式,探讨了傣族竹编现代家具的创新思路和创新方法,在此基础上结合设计案例进行了实践论证,旨在为传统工艺运用于现代设计提供借鉴。
The Bamboo weaving of Dai nationality is one of the traditional arts and crafts of ethnic minorities in China. It is valuable for applying the Dai bamboo weaving to the modern furniture design. It is not only beneficial to improve the cultural connotation of modern design, but also helpful to upgrade the traditional handicrafts and to promote the ethnic minority culture. Taking Dai bamboo weaving as the research object, the status of bamboo weaving industry of the Dai ethnic group, weaving technique and product characteristics were analyzed. The form of bamboo weaving in modern furniture design was summarized, and the innovative ideas and methods for the design of Dai bamboo modern furniture were explored. The design application aims to provide a reference for the use of traditional crafts for modern design.
The Bamboo weaving of Dai nationality is one of the traditional arts and crafts of ethnic minorities in China. It is valuable for applying the Dai bamboo weaving to the modern furniture design. It is not only beneficial to improve the cultural connotation of modern design, but also helpful to upgrade the traditional handicrafts and to promote the ethnic minority culture. Taking Dai bamboo weaving as the research object, the status of bamboo weaving industry of the Dai ethnic group, weaving technique and product characteristics were analyzed. The form of bamboo weaving in modern furniture design was summarized, and the innovative ideas and methods for the design of Dai bamboo modern furniture were explored. The design application aims to provide a reference for the use of traditional crafts for modern design.
引文
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[2]张露芳,刘肖健.静谧与骈繁--日本当代竹编艺术发展的启示[J].文艺研究,2011(4):159-160.
[3]刘肖健,徐瑶,吴艳燕.工业化背景下的竹藤编织产品的风格变迁[J].包装工程,2013,34(16):79-81.
[4]Meirina,Triharini.Preserving Tradition in Craft Design Development(Case Studies:Yamanaka Lacquerware,Japan and Tasikmalaya Bamboo Weaving,Indonesia)[J].Freshwater Biology,2015,57(6):1277-1292.
[5]黄学敏.论东阳竹编工艺在新时代的创新发展[J].浙江工艺美术,2013(1):78-81.
[6]汤南南.创意时代”困局”中的传统手工艺--以竹编工艺为例[J].集美大学学报(哲社版),2015,18(3):19-22.
[7]张应军,马榕.湘西民族民间竹编工艺探索与实践[J].世界竹藤通讯,2015,13(6):36-41.
[8]李晖,刘嵘,陈美玲,等.竹丝装饰材的湿缓冲特性研究[J].林产工业,2017,44(7):21-25.
[9]蔡红光.论东阳竹编的一种创新技法“乱编法”[J].浙江工艺美术,2011(2):80-81.
[10]沈法,张福昌.民间竹器物的形式特征及本原思想研究[J].竹子研究汇刊,2005,24(4):1-8.
[11]Wang K A,Liao Y C,Chu W W,et al.Digitization and Value-Add Application of Bamboo Weaving Artifacts[M].Digital Libraries:For Cultural Heritage,Knowledge Dissemination,and Future Creation,Springer,2011.
[12]刘肖健,周悦.基于中国传统纹样的竹藤编织产品设计研究[J].装饰,2012(12):77-78.
[13]杨宛萤.我国传统竹编工艺之现代传承与产品创新研究[D].无锡:江南大学,2013.
[14]王安霞,王应.江南传统竹编器具的再生设计研究[J].装饰,2014(3):104-105.
[15]金克南.竹编器物设计探究[J].竹子研究汇刊,2016,35(1):46-50.
[16]陈氏碧月,吴智慧,杨勇,等.草编家具及工艺品的研究与发展现状[J].家具,2019,40(1):22-30.
[17]张雨湉,陈芝贤,费本华,等.中国不同地域竹编工艺的发展现状[J].世界竹藤通讯,2018,16(6):37-41.
[18]李建华,陈莉娜,方方,等.竹编和草编制品染色牢度测试方法的缺陷与改进[J].世界竹藤通讯,2018,16(2):21-24.
[19]常璐.民族民间工艺的传承与创新--以傣族竹编工艺为例[J].艺术科技,2015(10):184.
[20]邬沛,李玉顺,童科挺,等.竹材组合结构全生命周期成本分析[J].林产工业,2018,45(9):16-20.
[21]尤毅恒,干静,张晶,等.傣族元素应用于家居产品设计的研究[J].家具与室内装饰,2017(1):31-33.
[22]陈祖建,何晓琴.竹编饰面家具的材料设计与分析[J].家具与室内装饰,2016(6):13-15.
[23]张家勇,黄圣游,袁哲,等.火塘文化与云南少数民族家具[J].家具与室内装饰,2016(1):40-41.
[24]叶喜,袁哲,夏冬.云南傣族家具[J].林产工业,2002,29(4):33-36.
[25]叶喜,袁哲,夏冬.云南傣族家具(续)[J].林产工业,2002,29(5):33-35.