中国画之现实主义水墨人物画技法研究——以蒋兆和的《流民图》为例

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	英文篇名：Study on the Realistic Ink Painting Technique of Chinese Painting——Take Jiangzhaohe's “The Map of the Displaced People” as an example 作者：罗登祥 英文作者：LUO Deng-xiang;Guiyang College; 关键词：现实主义 ; 水墨人物画 ; 写实性 中文刊名：GYSZ 英文刊名：Journal of Guiyang University(Social Sciences) 机构：贵阳学院美术学院; 出版日期：2018-12-15 出版单位：贵阳学院学报(社会科学版) 年：2018 期：v.13;No.66 语种：中文; 页：GYSZ201806020 页数：4 CN：06 ISSN：52-1141/C 分类号：89-92

摘要

中国现实主义水墨人物画是在徐悲鸿和蒋兆和致力革新、改良中国传统绘画而源生创造出来的新画风。现实主义水墨人物画的造型方法主要吸收和遵循了西方写实性的素描法则,融西方科学的绘画理念和中国传统的笔墨技法为一体,成就了我们今天的写实主义绘画风貌,现实主义水墨人物画贴近生活,关注民生,表现百姓的疾苦和欢乐,是真正意义上的人民艺术。
        Chinese realistic ink painting is a new style of painting created by Xu Beihong and Jiang Zhaohe in the innovation and improvement of traditional Chinese painting. The modeling method of realistic painting is mainly based on the absorption and following of the western realistic sketch of law,the combination of western scientific philosophy on drawing and China traditional painting techniques,which results in today's realistic painting style. The realistic painting to life is about people's livelihood,showing people's sufferings and joy,and is truly people's art.

引文

[1]王伯敏.黄宾虹话语录[M].上海:上海人民美术出版社,1978:28.
    [2]刘曦林.蒋兆和论[M].北京:人民美术出版社,2004:159-160.