论闽南瓷绘艺术的美感认知
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摘要
闽南地区作为福建省重要的古窑址分布区域,在福建古陶瓷生产历史上占有重要地位。闽南陶瓷均属民窑生产,民窑瓷器是民间名师巧匠的自由创作,来之于民间,用之于民间,从内容到形式,处处反映出民族化、大众化的特色。论文以闽南瓷绘艺术的作品鉴赏为切入点,从造型之美、胎饰之美、釉色之美、彩绘之美和随性之美五个方面着手,详细论述了闽南瓷绘艺术的美感认知,因此对其进行多方面的审美研究是颇有必要的。
Southern region of Fujian Province as an important ancient kiln area,occupies an important position in the history of ancient ceramic production in Fujian.The ceramic kilns are produced,is famous folk kilns porcelain craftsman free creation,in the folk,used in folk,from content to form,all reflect the ethical and popular characteristics.In this paper,Fujian porcelain painting works of art appreciation as the starting point,starting from the shape of the United States,fetal decoration beauty,beauty,beauty of the colored glaze four aspects,elaborated Fujian ceramic painting art aesthetic cognition,aesthetic and so many areas of research is quite necessary for the.
Southern region of Fujian Province as an important ancient kiln area,occupies an important position in the history of ancient ceramic production in Fujian.The ceramic kilns are produced,is famous folk kilns porcelain craftsman free creation,in the folk,used in folk,from content to form,all reflect the ethical and popular characteristics.In this paper,Fujian porcelain painting works of art appreciation as the starting point,starting from the shape of the United States,fetal decoration beauty,beauty,beauty of the colored glaze four aspects,elaborated Fujian ceramic painting art aesthetic cognition,aesthetic and so many areas of research is quite necessary for the.
引文
[1]厦门博物馆.闽南古陶瓷研究[M].福州:福建美术出版社,2002:17.
[2]涂慷.明末清初的平和窑青花瓷绘艺术初探[J].福建社会主义学院学报,2011(4):46-47.
[3]郑东.浅析闽南古代瓷器装饰技法[M].北京:紫禁城出版社,2005:77.
[4]陈娟英.厦门窑[M].福州:福建美术出版社,2005:245.
[5]陈娟英.漳州窑素三彩瓷[M].福州:福建美术出版社,2004:223.
[6]陈娟英.闽南民间工艺美术[M].福州:海风出版社,2009:227.
[2]涂慷.明末清初的平和窑青花瓷绘艺术初探[J].福建社会主义学院学报,2011(4):46-47.
[3]郑东.浅析闽南古代瓷器装饰技法[M].北京:紫禁城出版社,2005:77.
[4]陈娟英.厦门窑[M].福州:福建美术出版社,2005:245.
[5]陈娟英.漳州窑素三彩瓷[M].福州:福建美术出版社,2004:223.
[6]陈娟英.闽南民间工艺美术[M].福州:海风出版社,2009:227.