先秦楚乐的抒情特征探析
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摘要
"乐"在古代被赋予多重的功能作用和审美作用,在《楚辞》中展现出楚地的乐文化蕴藏之深厚。通过《楚辞》与楚地出土文物的相互印证,可以发现楚乐与中原乐的不同,不仅较少地受到"礼"的束缚,而且在相对开放的政治环境、独特的地理环境和崇巫风俗的背景下,楚乐体现出了对个体的重视与尊重。
In ancient times, " Le" was endowed with multiple functional and aesthetic functions, and Chu ci showed the profound connotation of Chu's music culture. Through the mutual verification between Chu ci and Chu unearthed cultural relics, it can be found that Chu music is different from Central Plains music, which is not only less bound by" propriety", but also unique geographical environment in a relatively open political environment. Under the background of worshiping witchcraft customs, Chu Le embodies the importance and respect for the individual.
In ancient times, " Le" was endowed with multiple functional and aesthetic functions, and Chu ci showed the profound connotation of Chu's music culture. Through the mutual verification between Chu ci and Chu unearthed cultural relics, it can be found that Chu music is different from Central Plains music, which is not only less bound by" propriety", but also unique geographical environment in a relatively open political environment. Under the background of worshiping witchcraft customs, Chu Le embodies the importance and respect for the individual.
引文
[1]黄翔鹏.中国音乐文物大系湖北卷[M].郑州:大象出版社,1999.
[2]赵逵夫.屈骚探幽[M].成都:巴蜀书社,1998:191.
[3]章培恒.从《诗经》、《楚辞》看我国南北文学的差别[J].中国文化,1989(01):65.
[4]王闿运撰,吴广平校点.楚辞释[M].长沙:岳麓书社,2013.
[5]范晔撰,李贤等注.后汉书[M].北京:中华书局,1973.
[6]黄翔鹏.中国音乐文物大系湖南卷[M].郑州:大象出版社,2006.
[7]黄翔鹏.中国音乐文物大系河南卷[M].郑州:大象出版社,1996.
[8]司马迁.史记[M].北京:中华书局,1973:2534.
[9]郭璞传.山海经[M].北京:中华书局,1985:128.
[2]赵逵夫.屈骚探幽[M].成都:巴蜀书社,1998:191.
[3]章培恒.从《诗经》、《楚辞》看我国南北文学的差别[J].中国文化,1989(01):65.
[4]王闿运撰,吴广平校点.楚辞释[M].长沙:岳麓书社,2013.
[5]范晔撰,李贤等注.后汉书[M].北京:中华书局,1973.
[6]黄翔鹏.中国音乐文物大系湖南卷[M].郑州:大象出版社,2006.
[7]黄翔鹏.中国音乐文物大系河南卷[M].郑州:大象出版社,1996.
[8]司马迁.史记[M].北京:中华书局,1973:2534.
[9]郭璞传.山海经[M].北京:中华书局,1985:128.