建筑,消融于环境——基于消融性的建筑造型设计手法探析
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摘要
站在环境美学的角度,从建筑造型形态入手,研究建筑如何实现与环境的相互消融。在明确消融性意义的基础上,通过实例论证和分析总结的方法,从地形消融和元素消融等两方面进行具体阐明,在建筑与环境的矛盾日益突出的情况下,以期为二者的融合找到契合点,进而创造环境的建筑,实现环境美并为建筑造型的设计提供一定的参考和借鉴。
From the perspective of environmental aesthetics,the article started with the form of architectural modeling,and studied how the architecture can be ablated with the environment. On the basis of clear the significance of ablation,two aspects,such as terrain ablation and elemental ablation,are clarified through example demonstration and analysis summary method. Under the increasingly conspicuous contradiction between buildings and environment,we hope to find a conjunction point for the integration of the two aspects,and provide some references for the design of architectural form and realizing environmental aesthetics.
From the perspective of environmental aesthetics,the article started with the form of architectural modeling,and studied how the architecture can be ablated with the environment. On the basis of clear the significance of ablation,two aspects,such as terrain ablation and elemental ablation,are clarified through example demonstration and analysis summary method. Under the increasingly conspicuous contradiction between buildings and environment,we hope to find a conjunction point for the integration of the two aspects,and provide some references for the design of architectural form and realizing environmental aesthetics.
引文
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[2]杨逸卿.中小型建筑消融性设计美学探析[D].武汉:武汉纺织大学,2016.
[3]李超,董良.浅析隈研吾的消隐建筑意向[J].青岛理工大学学报,2014,(4):50-53.
[4]陈兴华,张炯.解读隈研吾“材料让建筑消隐”[J].华中建筑,2012,(6):5-8.
[5]MAD建筑事务所.哈尔滨大剧院[J].建筑学报,2016,(6):50-56.
[6]庄惟敏,张葵,陈琦,等.华山游客中心,华阴,陕西,中国[J].世界建筑,2015,(10):70-75.
[7]庄惟敏.藏·空·导·变——建筑·场地一体化设计实践[J].建筑技艺,2015,(2):38-47.
[8]聂丽娟.隈研吾建筑作品及其思想研究[D].武汉:华中科技大学,2012.
[9]金秋野.漫游林木间——理解“林建筑”的10个关键词[J].建筑学报,2016,(1):70-75.
[10]苏里,尹万民.水/玻璃的日本传统建筑文化[J].山西建筑,2009,(3):29-30.
[11]穆童.建筑的消融性表达,2016[C].昆明:昆明理工大学.