论王全安影视作品中女性身体苦难的想象性言说
|
摘要
身体叙事作为一种突出描写人的身体的艺术表现形式,常用在小说和电影中,尤其是在作为视听艺术存在的"第七艺术"——电影中。在影视文化中随处可见女性在其中所起到的作用,女性的性别和身体都可以参与叙事,而且在影视作品中用身体叙事比用语言更为直接有力,还避免了许多因语言叙述而出现的尴尬和无奈。王全安的电影中有的部分同样也采用了直接以身体来叙述的方式。
Body Narrative is an artistic expression in describing the human body,which often used in novels and movies,especially in the audio- visual art as " the seventh art"- the movie. Women play a significant role in the audio- visual culture. Both female's gender and body can participate in the narrative. Not only body narrative is more powerful and direct than the language in the films,but also avoids the embarrassment and frustration caused by the languages. Body narrative is also used in some parts of Wang Quan's films.
Body Narrative is an artistic expression in describing the human body,which often used in novels and movies,especially in the audio- visual art as " the seventh art"- the movie. Women play a significant role in the audio- visual culture. Both female's gender and body can participate in the narrative. Not only body narrative is more powerful and direct than the language in the films,but also avoids the embarrassment and frustration caused by the languages. Body narrative is also used in some parts of Wang Quan's films.
引文
[1]王晓华.身体美学:回归身体主体的美学—以西方美学史为例[J].江海学刊,2005(3):5.
[2]林树明.身体叙事及色情文学的性别倾向批判[J].湘潭大学学报(哲学社会科学版),2010(7):87.
[3]梅洛·庞蒂.知觉现象学[M].姜志辉,译.北京:商务印书馆,2001:302.
[4]杨经建.身体叙事——一种存在主义的文学创作症候[J].文学评论,2009(2):118.
[5]西蒙娜·德·波伏娃.第二性[M].陶铁柱,译.北京:中国书籍出版社,1998:106.
[6]文韵.王全安:关注女性,关注小人物[J].大江周刊(生活),2010(4):16.
[2]林树明.身体叙事及色情文学的性别倾向批判[J].湘潭大学学报(哲学社会科学版),2010(7):87.
[3]梅洛·庞蒂.知觉现象学[M].姜志辉,译.北京:商务印书馆,2001:302.
[4]杨经建.身体叙事——一种存在主义的文学创作症候[J].文学评论,2009(2):118.
[5]西蒙娜·德·波伏娃.第二性[M].陶铁柱,译.北京:中国书籍出版社,1998:106.
[6]文韵.王全安:关注女性,关注小人物[J].大江周刊(生活),2010(4):16.