两岸南音本体音乐分析方法比较
|
摘要
20世纪80年代,两岸南音本体音乐研究一直深受学界的追捧,学者们各显身手,采用不同的分析方法,为南音本体音乐研究积累了丰厚的成果和多元的分析视角。80年代以来,两岸在不同的文化语境下开始了南音本体音乐研究,从最初借鉴西方音乐分析理论起步,而后沿着各自的道路前行。然而,时过境迁,当下两岸南音研究进入了"近文化、远音乐"的状态。为了引起学界对南音本体音乐研究的重视,丰富和发展南音本体音乐分析方法,文章通过梳理两岸南音本体音乐分析研究成果,发现两岸众多学者在南音本体音乐分析方面的成果较多,且各有偏重。历时性的关注点也随着时间的推移而有所改变,分析方法也随着研究对象的不同而产生变化。通过分类、剖析、比较,试图归纳出两岸学者分析方法的异同之处,探究产生其差异性的深层因素,从而希望在此基础上综合出一套能涵括两岸特点,并较为可行适用的分析方法,为南音演唱艺术的本体音乐研究拓展思路。
Since the 1980 s,Nanyin music( or Nanguan music) noumenon has been a hot research topic among the scholars of Taiwan and Mainland who have done their best,using various analytical methods,and have accumulated substantial research approaches and findings. Scholars of Taiwan and Mainland carried out their research on Nanyin music noumenon in different cultural contexts. In the beginning,they borrowed Western music theories in the research and then they did the research in their own ways. However,circumstances have changed with the passage of time,and the current Taiwan and Mainland research of Nanyin music noumenon are paying too much attention to culture instead of the Nanyin music itself. In order to make the scholars of both Taiwan and Mainland to pay more attention to the research of the Nanyin music itself,and to enrich and develop the analytical methods of Nanyin music noumenon,the paper collects and analyzes the research findings of Nanyin music noumenon of Taiwan and that of Mainland,and found that each have their own focus. Diachronic focuses change over time,and the analytical methods also change with the change of research objects. By classification,analysis and comparison,the paper points out the similarities and differences of the analytical methods of the scholars of Taiwan and Mainland and explores the deep reasons for these differences,so as to work out a system of feasible and applicable analytical methods,and thus widen the vision of the research of Nanyin music noumenon.
Since the 1980 s,Nanyin music( or Nanguan music) noumenon has been a hot research topic among the scholars of Taiwan and Mainland who have done their best,using various analytical methods,and have accumulated substantial research approaches and findings. Scholars of Taiwan and Mainland carried out their research on Nanyin music noumenon in different cultural contexts. In the beginning,they borrowed Western music theories in the research and then they did the research in their own ways. However,circumstances have changed with the passage of time,and the current Taiwan and Mainland research of Nanyin music noumenon are paying too much attention to culture instead of the Nanyin music itself. In order to make the scholars of both Taiwan and Mainland to pay more attention to the research of the Nanyin music itself,and to enrich and develop the analytical methods of Nanyin music noumenon,the paper collects and analyzes the research findings of Nanyin music noumenon of Taiwan and that of Mainland,and found that each have their own focus. Diachronic focuses change over time,and the analytical methods also change with the change of research objects. By classification,analysis and comparison,the paper points out the similarities and differences of the analytical methods of the scholars of Taiwan and Mainland and explores the deep reasons for these differences,so as to work out a system of feasible and applicable analytical methods,and thus widen the vision of the research of Nanyin music noumenon.
引文
[1]吕锤宽.泉州弦管(南管)研究[D].台湾:台湾师范大学音乐研究所硕士论文,1982.Lyu Chuikuan,A Study of Quanzhou Nanyin Music,master’s thesis of Institute of Music,Taiwan:Taiwan Normal University,1982.
[2]叶栋.民族器乐的体裁与形式[M].上海:上海文艺出版社,1983.Ye Dong,The Genre and Form of Ethnic Instrumental Music,Shanghai:Shanghai Literature and Art Publishing House,1983.
[3]赵宋光.对南音“管门”与“移柱犯宫”的五度链分析[J].南音学术讨论会(油印本),1985.Zhao Songguang,“Analysis of Nanyin musical instruments from five perspectives”,Proceedings of Nanyin Music Symposium(mimeo),1985.
[4]李文章.梨园戏的综合管门及转调[J].南音学术讨论会(油印本),1985.Li wenzhang,“Integrated pipe and transposition of Liyuan Opera”,Proceedings of Nanyin Music Symposium(mimeo),1985.
[5]王嘉宾.南管器乐曲分析[D].台湾:台湾师范大学音乐研究所硕士论文,1985.Wang Jiabin,Analysis of Nanyin Instrumental Music,master’s thesis of Institute of Music,Taiwan:Taiwan Normal University,1985.
[6]王爱群.从南音“滚门”之时探其渊源[J].南音学术讨论会(油印本),1985.Wang Aiqun,“A probe into the origin of‘Gunmen’tunes of Nanyin music”,Proceedings of Nanyin Music Symposium(mimeo),1985.
[7]刘春曙,王耀华.福建民间音乐简论[M].上海:上海文艺出版社,1986.Liu Chunshu,Wang Yaohua,(Ed.),Fujian Folk Music,Shanghai:Shanghai Literature and Art Publishing House,1986.
[8]吴世忠.论福建南音音律一音列活动特点同“色彩”的关系[J].中国音乐学,1987,(4).Wu Shizhong,“On the relation between Nanyin music totality and colors”,Chinese Music Studies,No.4(1987).
[9]袁静芳.民族乐器[M].北京:人民音乐出版社,1987.Yuan jing Fang,Ethnic Musical Instruments,Beijing:Peoples Music Publishing House,1987.
[10]李民雄.民族器乐知识广播讲座[M].北京:人民音乐出版社,1987.Li Minxiong,Open Lectures about Ethnic Instrumental Knowledge,Beijing:Peoples Music Publishing House,1987.
[11]林淑玲.鹿港雅正斋及南管唱腔研究[D].台湾:台湾师大音乐研究所硕士论文,1987.Lin Shuling,A Study of Yazheng Room in Lugang and Nanyin Music Opera,master’s thesis of Institute of Music,Taiwan:Taiwan Normal University,1987.
[12]王耀华,刘春曙.福建南音初探[M].福建:福建人民出版社,1989.Wang Yaohua,Liu Chunshu,A Study of Fujian Nanyin Music,Fujian:Fujian People’s Publishing House,1989.
[13]李国俊.南管乐曲中的[北曲]试析——以【北青阳】及【昆寡北】为例[J].民俗曲艺,1989,(56).Li Guojun,“Analysis of‘North Tune’in Nanyin Music:taking‘Beiqingyang’and‘Kunguabei’as the samples”,Folk Opera,No.56(1989).
[14]江明惇.中国民族民间音乐[M].北京:高等教育出版社,1991.Jiang Mingdun,Chinese Ethnic Folk Music,Beijing:Higher Education Press,1991.
[15]李国俊.南管【南北交】乐曲研究[A].王樱芬编.八十三年全国文艺季千载清音——南管学术研讨会论文集[C].彰化县立文化中心,1994.Li Guojun,“A study of the Nanyin tune‘Nanbeijiao’”,Proceedings of Nanyin Music Symposium in Changhua County Cultural Center,1994.
[16]简巧珍.<相思引>〔主韵〕之曲、词结构分析[A].八十三年全国文艺季千载清音——南管学术研讨会论文集[C].彰化县立文化中心,1994.Jian Qiaozhen,“Analysis of the structure of the melody and lyrics of Lovesickness”,Proceedings of Nanyin Music Symposium in Changhua County Cultural Center,1994.
[17]王樱芬.从【长滚】看南管滚门曲牌的分类系统[A].王樱芬编.八十三年全国文艺季千载清音——南管学术研讨会论文集[C].彰化县立文化中心,1994.Wang Ying Fen,“Analysis of the classification system of Nanyin music through the tune Changgun”,Proceedings of Nanyin Music Symposium in Changhua County Cultural Center,1994.
[18]孙星群.福建南音探究[M],福建:海峡文艺出版社,1996.Sun Xingqun,A Study of Fujian Nanyin Music,Fujian:Strait Arts Publishing House,1996.
[19]蔡郁琳.南管唱念法研究[D].台湾:台湾师范大学音乐研究所硕士论文,1996.Cai Yulin,A Study of the Singing and Reading Methods of Nanyin Music”,master’s thesis of Institute of Music,Taiwan:Taiwan Normal University,1996.
[20]杨韵慧.弦管指套宫调研究[J].民俗曲艺,1998(114).Yang Yunhui,“A study of Nanyin modes of Zhitao”,Folk Opera,No.114(1998).
[21]黄少枚.福建南音器乐曲(谱)的旋律类型及其展开[D].福州:福建师范大学硕士学位论文,1998.Huang Shaomei,The Melody Types and Expansion of Fujian Nanyin Instrumental Music,Fuzhou:master’s thesis of Fujian Normal University,1998.
[22]孙丽伟.福建南音“四大名谱”音乐结构分析[J].中国音乐,2001(1).Sun Liwei,“Analysis of the music structure of the“top four tunes”of Fujian Nanyin music”,Chinese Music,No.1(2001).
[23]周畅.音乐与美学[M].北京:京华出版社,2001.Zhou Chang,Music and Aesthetics,Beijing:Beijing Publishing House,2001.
[24]王耀华.泉州南音“潮类”唱腔的旋法特征及其源流初探[J].音乐研究,2002(3).Wang Yaohua,“The features and origin of‘Chao’style singing of Quanzhou Nanyin music”,Music Studies,No.3(2002).
[25]蓝雪霏.框格在曲,色泽在唱——马香缎<山险峻>的南音润腔艺术初探[J].星海音乐学院学报,2002,(3).Lan Xuefei,“Melody and singing:a study of art of singing of Ma Xiangduan’s work Steep Mountains”,Journal of Xinghai College of Music,No.3(2002).
[26]王丹丹.南曲旋法特征探析[J].人民音乐,2002,(8).Wang Dandan,“A study of the melodic features of Nanyin music”,People’s Music,No.8(2002).
[27]李孟勋.南管散曲与南北曲之比较分析-以同名曲牌为例[D].台北艺术大学传统艺术研究所硕士论文,2002.Li Mengxun,Comparative Analysis of the North Music and South Music of Nanyin Music:The Same Tune Name as The Research Object,master’s thesis of the Institute of Traditional Arts,Taipei University of Arts,2002.
[28]张兆颖.福建南音琵琶工尺谱与唱腔关系初探[D].福建师范大学硕士学位论文,2003.Zhang Zhaoying,“A Study of the Relation between the Melodies and Pipa Gongchi Tunes”,master’s degree thesis of Fujian Normal University,2003.
[29]游昌发.南管<荔枝>[M].传统音乐初析.艺友出版社,2003.You Changfa,“On the Nanyin music Litchi”,Analysis of Traditional Music,Yiyou Publishing House,2003.
[30]许国红.“多重大三度并置”音调结构考析[J].星海音乐学院学报,2004,(1).Xu Guohong,“On the structure of multi-major-third juxtaposition”,Journal of Xinghai College of Music,No.1(2004).
[31]李国俊.南管戏曲滚门牌调系统刍论[D].南、北管音乐艺术研讨会论文集.台湾传统艺术中心,2004.Li Guojun,“On the system of Gun’men tunes of Nanyin music”,proceedings of North and South Nanyin Music Art Symposium,2004.
[32]游慧文.南管曲演唱艺术初探[M].台湾:“行政院文化建设委员会”,2004.You Huiwen,South Nanyin Singing Art,Taiwan:Taiwan Council for Cultural Affairs,2004.
[33]林珀姬.南管曲唱研究[M].台湾:文史哲出版社,2004.Lin Poji,A study of South Nanyin Singing Art,literature,Taiwan:History and Philosophy Press,2004.
[34]李国俊.南管唱曲特色浅说[J].传统艺术,2005,(6).Li Guojun,“On the features of South Nanyin singing”,Traditional Art,No.6(2005).
[35]陈怡琏.南管曲<望明月>研究[D].台湾:台北艺术大学传统音乐学系学士论文,2006.Chen Yilian,A study of South Nanyin tune“Enjoy the Bright Moon”,bachelor’s thesis of the school of Traditional Music,Taiwan:Taipei University of the Arts,2006.
[36]何翎甄.南管散曲【长潮阳春】滚门研究[D].台湾:台北艺术大学传统音乐学系学士论文,2006.He Lingzhen,Study of the South Nanyin Tune“Long Tide And Bright Spring”,bachelor’s thesis of the school of Traditional Music,Taiwan:Taipei University of the Arts,2006.
[37]陈瑜.福建南音“滚门”模式特征研究[D].中央音乐学院硕士论文,2008.Chen Yu,A Study of the Features of Gun’men Pattern of Fujian Nanyin Music,Master’s thesis of the Central Conservatory of Music,2008.
[38]林珀姬.南管音乐门头探索(1-3)[J].关渡音乐学刊,2007(6)、2007(12)、2008(12).Lin Poji,“Study of‘Mentou’of South Nanyin music”,Guandu Music Journal,No.6(2007),No.12(2007),No.12(2008).
[39]陈筱玟.南管【相思引】之曲目研究[D].台湾师范大学民族音乐研究所硕士班硕士论文,2008.Chen Xiaowen,study of South Nanyin tune Lovesickness,Master’s thesis of the Institute of Music,Taiwan Normal University,2008.
[40]李寄萍.清刊南音孤本管门研究[J].中国音乐,2009,(1).Li Jiping,Study of the Only Left Nanyin Music Book Published in Qing”,Chinese Music,No.1(2009).
[41]吕钰秀.南管曲的顿挫——以蔡小月唱曲为例[A].音乐学探索——台湾音乐研究的新面向[C].台湾:五南图书出版股份有限公司,2009.Lyu Yuxiu,“Study of the pause and transition of Nanyin music:a case study of the song sung by Cai Xiaoyue”,Musicology Exploration:the new situation of Taiwan’s music research,Taiwan:Wunan Publishing Co.,Ltd.,2009.
[42]温秋菊.在东方南管曲牌与门头大韵[M].台湾:台北艺术大学,2010.Wen Qiuju,Nanyin Tunes and the Rhyme of Mentou Tune in the East,Taiwan:Taipei University of Arts Press,2010.
[43]吕锤宽.台湾传统音乐概论·歌乐篇[M].台湾:五南图书出版股份有限公司,2010.Lyu Chuikuan,Taiwan’s Traditional Music:Songs,Taiwan:Wunan Publishing Co.,Ltd.,2010.
[44]林珀姬.南管乐语与曲唱理论建构[M].台湾:台北艺术大学出版社,2011.Lin Poji,Theoretical Construction of Nanyin Music Language and Singing,Taiwan:Taipei University of Arts Press,2011.
[45]周劭颖.南管音乐素材运用于音乐创作——以七重奏<百鸟归巢>为例>[D].辅仁大学音乐研究所硕士论文,2011.Zhou Shaoying,The Application of Nanyin Music Resources in Music Reation:A Case Study of the Septet“All Birds Back to the Nest”,master’s thesis of Fu Jen Catholic University,2011.
[46]张光宇.“中滚·十三腔”的滚门及唱腔结构探析——以南曲<听门楼>为例[J].西南农业大学学报(社会科学版),2012,(8).Zhang Guangyu,“Analysis of the structure of Gun’men and singing:a case study of the Nanyin opera Hearing Gatehouse”,journal of Southwest Agricultural University(Social Science),No.8(2012).
[47]曾宪林.南音“谱”的曲调研究[M].北京:中国戏剧出版社,2013.Zeng Xianlin,Study of the Tunes of Nanyin Music,Beijing:China Drama Press,2013.
[48]吕锤宽.张鸿明的生命史[M].台湾:台湾文化资产局,2013.Lyu Chuikuan,The Life History of Zhang Hongming,Taiwan:Taiwan culture Assets Bureau,2013.
[49]张俪琼.从【绵答絮】到【皂云飞】:回顾台湾筝乐作品中的南管韵响[J].艺术学报,2013,(10).Zhang Liqiong,“From Cotton Answers Cotton to Flying Soap Clouds:a review of the Nanyin tunes in Taiwan works of Chinese zither music”,Art Journal,No.10(2003).
[50]曾宪林.南音本体音乐分析理论与方法之构想[J].中国音乐学,2015,(2).Zeng Xianlin,“Thoughts on the analytical theory and method of Nanyin music moumenon”,Chinese Music,No.2(2015).
1由于篇幅所限,本文所梳理的观点,仅标人名(时间),无法一一罗列于后;有确实引用的,作为具体参考文献列在最后。有些成果与本文核心问题无多大关系的,例如,大陆的南音咬字研究始于1981年,王振权与孙树文曾有成果,这里没列举。近年来尚有以泉州师院为代表的借鉴西方美声唱法来诠释或训练南音唱法的研究成果十几篇,因其主要借鉴美声唱法理论,而未涉及分析方法,这里略。
1拙文《南音本体音乐分析理论与方法之构想》,《中国音乐学》2015年第2期。
[2]叶栋.民族器乐的体裁与形式[M].上海:上海文艺出版社,1983.Ye Dong,The Genre and Form of Ethnic Instrumental Music,Shanghai:Shanghai Literature and Art Publishing House,1983.
[3]赵宋光.对南音“管门”与“移柱犯宫”的五度链分析[J].南音学术讨论会(油印本),1985.Zhao Songguang,“Analysis of Nanyin musical instruments from five perspectives”,Proceedings of Nanyin Music Symposium(mimeo),1985.
[4]李文章.梨园戏的综合管门及转调[J].南音学术讨论会(油印本),1985.Li wenzhang,“Integrated pipe and transposition of Liyuan Opera”,Proceedings of Nanyin Music Symposium(mimeo),1985.
[5]王嘉宾.南管器乐曲分析[D].台湾:台湾师范大学音乐研究所硕士论文,1985.Wang Jiabin,Analysis of Nanyin Instrumental Music,master’s thesis of Institute of Music,Taiwan:Taiwan Normal University,1985.
[6]王爱群.从南音“滚门”之时探其渊源[J].南音学术讨论会(油印本),1985.Wang Aiqun,“A probe into the origin of‘Gunmen’tunes of Nanyin music”,Proceedings of Nanyin Music Symposium(mimeo),1985.
[7]刘春曙,王耀华.福建民间音乐简论[M].上海:上海文艺出版社,1986.Liu Chunshu,Wang Yaohua,(Ed.),Fujian Folk Music,Shanghai:Shanghai Literature and Art Publishing House,1986.
[8]吴世忠.论福建南音音律一音列活动特点同“色彩”的关系[J].中国音乐学,1987,(4).Wu Shizhong,“On the relation between Nanyin music totality and colors”,Chinese Music Studies,No.4(1987).
[9]袁静芳.民族乐器[M].北京:人民音乐出版社,1987.Yuan jing Fang,Ethnic Musical Instruments,Beijing:Peoples Music Publishing House,1987.
[10]李民雄.民族器乐知识广播讲座[M].北京:人民音乐出版社,1987.Li Minxiong,Open Lectures about Ethnic Instrumental Knowledge,Beijing:Peoples Music Publishing House,1987.
[11]林淑玲.鹿港雅正斋及南管唱腔研究[D].台湾:台湾师大音乐研究所硕士论文,1987.Lin Shuling,A Study of Yazheng Room in Lugang and Nanyin Music Opera,master’s thesis of Institute of Music,Taiwan:Taiwan Normal University,1987.
[12]王耀华,刘春曙.福建南音初探[M].福建:福建人民出版社,1989.Wang Yaohua,Liu Chunshu,A Study of Fujian Nanyin Music,Fujian:Fujian People’s Publishing House,1989.
[13]李国俊.南管乐曲中的[北曲]试析——以【北青阳】及【昆寡北】为例[J].民俗曲艺,1989,(56).Li Guojun,“Analysis of‘North Tune’in Nanyin Music:taking‘Beiqingyang’and‘Kunguabei’as the samples”,Folk Opera,No.56(1989).
[14]江明惇.中国民族民间音乐[M].北京:高等教育出版社,1991.Jiang Mingdun,Chinese Ethnic Folk Music,Beijing:Higher Education Press,1991.
[15]李国俊.南管【南北交】乐曲研究[A].王樱芬编.八十三年全国文艺季千载清音——南管学术研讨会论文集[C].彰化县立文化中心,1994.Li Guojun,“A study of the Nanyin tune‘Nanbeijiao’”,Proceedings of Nanyin Music Symposium in Changhua County Cultural Center,1994.
[16]简巧珍.<相思引>〔主韵〕之曲、词结构分析[A].八十三年全国文艺季千载清音——南管学术研讨会论文集[C].彰化县立文化中心,1994.Jian Qiaozhen,“Analysis of the structure of the melody and lyrics of Lovesickness”,Proceedings of Nanyin Music Symposium in Changhua County Cultural Center,1994.
[17]王樱芬.从【长滚】看南管滚门曲牌的分类系统[A].王樱芬编.八十三年全国文艺季千载清音——南管学术研讨会论文集[C].彰化县立文化中心,1994.Wang Ying Fen,“Analysis of the classification system of Nanyin music through the tune Changgun”,Proceedings of Nanyin Music Symposium in Changhua County Cultural Center,1994.
[18]孙星群.福建南音探究[M],福建:海峡文艺出版社,1996.Sun Xingqun,A Study of Fujian Nanyin Music,Fujian:Strait Arts Publishing House,1996.
[19]蔡郁琳.南管唱念法研究[D].台湾:台湾师范大学音乐研究所硕士论文,1996.Cai Yulin,A Study of the Singing and Reading Methods of Nanyin Music”,master’s thesis of Institute of Music,Taiwan:Taiwan Normal University,1996.
[20]杨韵慧.弦管指套宫调研究[J].民俗曲艺,1998(114).Yang Yunhui,“A study of Nanyin modes of Zhitao”,Folk Opera,No.114(1998).
[21]黄少枚.福建南音器乐曲(谱)的旋律类型及其展开[D].福州:福建师范大学硕士学位论文,1998.Huang Shaomei,The Melody Types and Expansion of Fujian Nanyin Instrumental Music,Fuzhou:master’s thesis of Fujian Normal University,1998.
[22]孙丽伟.福建南音“四大名谱”音乐结构分析[J].中国音乐,2001(1).Sun Liwei,“Analysis of the music structure of the“top four tunes”of Fujian Nanyin music”,Chinese Music,No.1(2001).
[23]周畅.音乐与美学[M].北京:京华出版社,2001.Zhou Chang,Music and Aesthetics,Beijing:Beijing Publishing House,2001.
[24]王耀华.泉州南音“潮类”唱腔的旋法特征及其源流初探[J].音乐研究,2002(3).Wang Yaohua,“The features and origin of‘Chao’style singing of Quanzhou Nanyin music”,Music Studies,No.3(2002).
[25]蓝雪霏.框格在曲,色泽在唱——马香缎<山险峻>的南音润腔艺术初探[J].星海音乐学院学报,2002,(3).Lan Xuefei,“Melody and singing:a study of art of singing of Ma Xiangduan’s work Steep Mountains”,Journal of Xinghai College of Music,No.3(2002).
[26]王丹丹.南曲旋法特征探析[J].人民音乐,2002,(8).Wang Dandan,“A study of the melodic features of Nanyin music”,People’s Music,No.8(2002).
[27]李孟勋.南管散曲与南北曲之比较分析-以同名曲牌为例[D].台北艺术大学传统艺术研究所硕士论文,2002.Li Mengxun,Comparative Analysis of the North Music and South Music of Nanyin Music:The Same Tune Name as The Research Object,master’s thesis of the Institute of Traditional Arts,Taipei University of Arts,2002.
[28]张兆颖.福建南音琵琶工尺谱与唱腔关系初探[D].福建师范大学硕士学位论文,2003.Zhang Zhaoying,“A Study of the Relation between the Melodies and Pipa Gongchi Tunes”,master’s degree thesis of Fujian Normal University,2003.
[29]游昌发.南管<荔枝>[M].传统音乐初析.艺友出版社,2003.You Changfa,“On the Nanyin music Litchi”,Analysis of Traditional Music,Yiyou Publishing House,2003.
[30]许国红.“多重大三度并置”音调结构考析[J].星海音乐学院学报,2004,(1).Xu Guohong,“On the structure of multi-major-third juxtaposition”,Journal of Xinghai College of Music,No.1(2004).
[31]李国俊.南管戏曲滚门牌调系统刍论[D].南、北管音乐艺术研讨会论文集.台湾传统艺术中心,2004.Li Guojun,“On the system of Gun’men tunes of Nanyin music”,proceedings of North and South Nanyin Music Art Symposium,2004.
[32]游慧文.南管曲演唱艺术初探[M].台湾:“行政院文化建设委员会”,2004.You Huiwen,South Nanyin Singing Art,Taiwan:Taiwan Council for Cultural Affairs,2004.
[33]林珀姬.南管曲唱研究[M].台湾:文史哲出版社,2004.Lin Poji,A study of South Nanyin Singing Art,literature,Taiwan:History and Philosophy Press,2004.
[34]李国俊.南管唱曲特色浅说[J].传统艺术,2005,(6).Li Guojun,“On the features of South Nanyin singing”,Traditional Art,No.6(2005).
[35]陈怡琏.南管曲<望明月>研究[D].台湾:台北艺术大学传统音乐学系学士论文,2006.Chen Yilian,A study of South Nanyin tune“Enjoy the Bright Moon”,bachelor’s thesis of the school of Traditional Music,Taiwan:Taipei University of the Arts,2006.
[36]何翎甄.南管散曲【长潮阳春】滚门研究[D].台湾:台北艺术大学传统音乐学系学士论文,2006.He Lingzhen,Study of the South Nanyin Tune“Long Tide And Bright Spring”,bachelor’s thesis of the school of Traditional Music,Taiwan:Taipei University of the Arts,2006.
[37]陈瑜.福建南音“滚门”模式特征研究[D].中央音乐学院硕士论文,2008.Chen Yu,A Study of the Features of Gun’men Pattern of Fujian Nanyin Music,Master’s thesis of the Central Conservatory of Music,2008.
[38]林珀姬.南管音乐门头探索(1-3)[J].关渡音乐学刊,2007(6)、2007(12)、2008(12).Lin Poji,“Study of‘Mentou’of South Nanyin music”,Guandu Music Journal,No.6(2007),No.12(2007),No.12(2008).
[39]陈筱玟.南管【相思引】之曲目研究[D].台湾师范大学民族音乐研究所硕士班硕士论文,2008.Chen Xiaowen,study of South Nanyin tune Lovesickness,Master’s thesis of the Institute of Music,Taiwan Normal University,2008.
[40]李寄萍.清刊南音孤本管门研究[J].中国音乐,2009,(1).Li Jiping,Study of the Only Left Nanyin Music Book Published in Qing”,Chinese Music,No.1(2009).
[41]吕钰秀.南管曲的顿挫——以蔡小月唱曲为例[A].音乐学探索——台湾音乐研究的新面向[C].台湾:五南图书出版股份有限公司,2009.Lyu Yuxiu,“Study of the pause and transition of Nanyin music:a case study of the song sung by Cai Xiaoyue”,Musicology Exploration:the new situation of Taiwan’s music research,Taiwan:Wunan Publishing Co.,Ltd.,2009.
[42]温秋菊.在东方南管曲牌与门头大韵[M].台湾:台北艺术大学,2010.Wen Qiuju,Nanyin Tunes and the Rhyme of Mentou Tune in the East,Taiwan:Taipei University of Arts Press,2010.
[43]吕锤宽.台湾传统音乐概论·歌乐篇[M].台湾:五南图书出版股份有限公司,2010.Lyu Chuikuan,Taiwan’s Traditional Music:Songs,Taiwan:Wunan Publishing Co.,Ltd.,2010.
[44]林珀姬.南管乐语与曲唱理论建构[M].台湾:台北艺术大学出版社,2011.Lin Poji,Theoretical Construction of Nanyin Music Language and Singing,Taiwan:Taipei University of Arts Press,2011.
[45]周劭颖.南管音乐素材运用于音乐创作——以七重奏<百鸟归巢>为例>[D].辅仁大学音乐研究所硕士论文,2011.Zhou Shaoying,The Application of Nanyin Music Resources in Music Reation:A Case Study of the Septet“All Birds Back to the Nest”,master’s thesis of Fu Jen Catholic University,2011.
[46]张光宇.“中滚·十三腔”的滚门及唱腔结构探析——以南曲<听门楼>为例[J].西南农业大学学报(社会科学版),2012,(8).Zhang Guangyu,“Analysis of the structure of Gun’men and singing:a case study of the Nanyin opera Hearing Gatehouse”,journal of Southwest Agricultural University(Social Science),No.8(2012).
[47]曾宪林.南音“谱”的曲调研究[M].北京:中国戏剧出版社,2013.Zeng Xianlin,Study of the Tunes of Nanyin Music,Beijing:China Drama Press,2013.
[48]吕锤宽.张鸿明的生命史[M].台湾:台湾文化资产局,2013.Lyu Chuikuan,The Life History of Zhang Hongming,Taiwan:Taiwan culture Assets Bureau,2013.
[49]张俪琼.从【绵答絮】到【皂云飞】:回顾台湾筝乐作品中的南管韵响[J].艺术学报,2013,(10).Zhang Liqiong,“From Cotton Answers Cotton to Flying Soap Clouds:a review of the Nanyin tunes in Taiwan works of Chinese zither music”,Art Journal,No.10(2003).
[50]曾宪林.南音本体音乐分析理论与方法之构想[J].中国音乐学,2015,(2).Zeng Xianlin,“Thoughts on the analytical theory and method of Nanyin music moumenon”,Chinese Music,No.2(2015).
1由于篇幅所限,本文所梳理的观点,仅标人名(时间),无法一一罗列于后;有确实引用的,作为具体参考文献列在最后。有些成果与本文核心问题无多大关系的,例如,大陆的南音咬字研究始于1981年,王振权与孙树文曾有成果,这里没列举。近年来尚有以泉州师院为代表的借鉴西方美声唱法来诠释或训练南音唱法的研究成果十几篇,因其主要借鉴美声唱法理论,而未涉及分析方法,这里略。
1拙文《南音本体音乐分析理论与方法之构想》,《中国音乐学》2015年第2期。