从《青楼集》中所看到的元代士伎交流
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摘要
从人类学视角出发,结合夏庭芝《青楼集》相关内容,以元代士人与歌伎文化交流活动为研究对象,揭示以往存在等级和身份阈限的两大群体,在元代特殊历史背景条件下进行艺术交流的原因,进而给予元代通俗音乐文化繁荣以重新诠释。
From the perspective of anthropology, combined with the relevant contents of Xia Tingzhi's Collection of Qinglou, the cultural exchange between scholars and geishas in Yuan Dynasty is taken as the research object. The reason of artistic exchange between two human groups with quite difference in hierarchy and identity under special historical background of Yuan Dynasty was given, explaining the prosperity of popular music culture in Yuan Dynasty.
From the perspective of anthropology, combined with the relevant contents of Xia Tingzhi's Collection of Qinglou, the cultural exchange between scholars and geishas in Yuan Dynasty is taken as the research object. The reason of artistic exchange between two human groups with quite difference in hierarchy and identity under special historical background of Yuan Dynasty was given, explaining the prosperity of popular music culture in Yuan Dynasty.
引文
[1]葛荃.立命与忠诚:士人政治精神的典型分析[M].浙江人民出版社,2000:1.
[2]出自东晋王康琚《反招隐诗》的开头:“小隐隐凌薮,大隐隐朝市。伯夷窜首阳,老聃伏柱吏。”钟来茵.中古仙道诗精华[M].江苏文艺出版社,1994:288.
[3]理安·艾斯勒.圣杯与剑[M].程志民,译.北京:社会科学文献出版社,2009:5.
[4]叶子奇.草木子卷三下杂制篇[M].中华书局,1959:58.
[5]王剑虹:元代妇女的社会经济地位[D].河北师范大学,2003.
[6]黄宗凯.元代妇女地位略论[J].广西民族大学学报,2001(S2).
[7]施蛰存,陈如江.宋元词话[M].上海书店出版社,1999:741.
[8]戴维·麦克莱伦.权力:内在的经验[M].纽约:欧文顿出版社,1975:320-321.
[9]陈良运.中国历代赋学曲学论著选[M].百花洲文艺出版社,2002:20.
[10]史革新.20世纪初西史东渐与中国近代新史学的发轫[J].郑州大学学报(哲学社会科学版),2004(2):60.
[2]出自东晋王康琚《反招隐诗》的开头:“小隐隐凌薮,大隐隐朝市。伯夷窜首阳,老聃伏柱吏。”钟来茵.中古仙道诗精华[M].江苏文艺出版社,1994:288.
[3]理安·艾斯勒.圣杯与剑[M].程志民,译.北京:社会科学文献出版社,2009:5.
[4]叶子奇.草木子卷三下杂制篇[M].中华书局,1959:58.
[5]王剑虹:元代妇女的社会经济地位[D].河北师范大学,2003.
[6]黄宗凯.元代妇女地位略论[J].广西民族大学学报,2001(S2).
[7]施蛰存,陈如江.宋元词话[M].上海书店出版社,1999:741.
[8]戴维·麦克莱伦.权力:内在的经验[M].纽约:欧文顿出版社,1975:320-321.
[9]陈良运.中国历代赋学曲学论著选[M].百花洲文艺出版社,2002:20.
[10]史革新.20世纪初西史东渐与中国近代新史学的发轫[J].郑州大学学报(哲学社会科学版),2004(2):60.