壮锦纹样在现代家具设计中的应用研究
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摘要
作为中国四大名锦中唯一的少数民族织锦,壮锦具有悠久的发展历史和丰富的纹样类型,蕴含着千百年来壮族先祖对自然的感悟,极具历史价值与艺术价值。本文基于壮锦的历史背景及艺术特征,探讨将壮锦纹样应用于现代家具设计中的方法,并提出对壮锦纹样的造型色彩采用直接借鉴、解构重构组合等设计手法将壮锦纹样融入现代家具设计中,形成广西地区独有的个性化现代家具。在彰显广西地域文化的同时为丰富现代家具设计艺术风格提供新思路。
As the only minority brocade in China's four famous brocades, Zhuang brocade has a long history and rich pattern types, which contains the inspirations of the ancestors of the Zhuang nationality for thousands of years, with great historical and artistic value. Based on the historical background and artistic characteristics of Zhuang brocade, this paper discusses the design method of applying Zhuang brocade pattern to modern furniture design, puts forward some design methods such as direct reference, deconstruction, reconstruction and combination to incorporate Zhuang brocade pattern into modern furniture design, and forms a unique modern furniture in Guangxi. It highlights the regional culture of Guangxi while it provides new ideas for enriching the artistic style of modern furniture design.
As the only minority brocade in China's four famous brocades, Zhuang brocade has a long history and rich pattern types, which contains the inspirations of the ancestors of the Zhuang nationality for thousands of years, with great historical and artistic value. Based on the historical background and artistic characteristics of Zhuang brocade, this paper discusses the design method of applying Zhuang brocade pattern to modern furniture design, puts forward some design methods such as direct reference, deconstruction, reconstruction and combination to incorporate Zhuang brocade pattern into modern furniture design, and forms a unique modern furniture in Guangxi. It highlights the regional culture of Guangxi while it provides new ideas for enriching the artistic style of modern furniture design.
引文
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[2]吴伟峰.略论广西壮族织锦的兴衰[J].学术论坛,1999,(05):122-125.
[3]朱华平.现代壮锦和传统壮锦的对比分析[J].丝绸,2012,49(05):50-55.
[4]樊苗苗.壮锦图案纹样分类及文化蕴含探析[J].美与时代(上旬),2013(10):53-57.
[5]宋国栋.壮族服饰图案纹样在现代室内设计中的应用价值研究[J].家具与室内装饰2017,(03):90-91.
[6]魏琰,张静.西安城市街道家具与传统元素结合的设计探索[J].包装工程,2009,30(08):123-125.
[7]杨叶红.城市家具—城市公共设施设计研究[D].西南交通大学,2007.
[8]尤毅恒,干静,张晶,李柏翰,周甜,罗广顺.傣族元素应用于家居产品设计的研究[J].家具与室内装饰,2017,(01):31-33.
[9]秦华.黎族织锦纹样在当代室内设计中的应用[J].染整技术,2017,39(11):85-87.
[10]任庆国.蒙古族生活元素在餐饮家具中的应用探究[J].包装工程,2015,3624:141-143+152.
[11]梁穆穆.壮锦在民族风情茶馆设计中的装饰与应用[J].福建茶叶,2018,4003:77.
[12]王海峰,吴菁,姜鹏飞.3D打印技术在室内装饰应用的现状及发展前景[J].家具与室内装饰,2016,(11):100-101.
[13]赵德达,刘杏娥,杨淑敏,武恒,于伸.藤艺家具编结工艺与装饰纹样的应用[J].林产工业,2015,42(10):40-43.