古曲《忆秦娥》与冼星海的《忆秦娥》音乐形态比较

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英文篇名：Comparison of the Music Form in the Ancient Music Recalls Qin E with that by Xian Xinghai 作者：杨思慧 英文作者：YANG Si-hui;Department of Teachers Education,Manshan Teacher's College; 关键词：《忆秦娥》 ; 古曲 ; 冼星海作品 ; 音乐形态 ; 演唱 ; 比较 英文关键词：Recalls Qin E;;ancient music;;works by XIAN Xinghai;;music form;;performance;;comparison 中文刊名：AHSK 英文刊名：Journal of Anhui University of Technology(Social Sciences) 机构：马鞍山师范高等专科学校教师教育系; 出版日期：2016-01-15 出版单位：安徽工业大学学报(社会科学版) 年：2016 期：v.33;No.128 基金：安徽省高校优秀青年人才基金重点项目:李白诗词歌曲的传承与发展研究(2013sqrw145zd) 语种：中文; 页：AHSK201601019 页数：4 CN：01 ISSN：34-1215/C 分类号：60-63

摘要

选自《碎金词谱》的古曲《忆秦娥》与冼星海的《忆秦娥》,二者在曲式结构、调式和声、节奏节拍、旋法和演唱方面均有不同。古曲因用来吟唱,格律影响节奏,且与旋律线条有着密切的联系;冼星海的作品则借用了西方作曲技法,糅合了传统与现代音乐元素。
        In the comparison of the ancient music Recalls Qin Eselected from the Fragmentary Gold Ci-poetry Score(Suijin Cipu in Chinese pinyin)with the same name song by XIAN Xinghai,they are eventually different in the music form and structure,mode and harmonic structure,rhythm and tempo,and melody and performance.The ancient music is used to chanting and the rules and forms make influence on the rhythm that is closely related to the melody.And the works by XIAN makes use of the western music composing skills and makes the mixture of the elements in traditional music and modern music.

引文

[1]李汉超.论李白《忆秦娥》[J].文学评论,1983(4):101-110.
    [2]彦克.浅论冼星海的古体诗词歌曲[J].星海音乐学院学报,1991(Z1):1-12.
    [3]于会泳.腔词关系研究[M].北京:中央音乐学院出版社,2008.