摘要
黄庭坚晚年因政治环境的变化,诗歌创作力倡平淡自然,并以运古入律、混合律古的方式加以实践。在此基础上又吸取唐代绝句的创作经验,追求诗歌余味,使得晚年之作臻于"平淡而山高水深"的美学境界。
Due to the changes of the political environment in his twilight years,Huang Tingjian advocates plain and natural in his poetic creation,putting them into practice by using the approaches(Yungurulv and Hunhelvgu).In addition,he absorbs the creative experience of the Tang dynasty rhyme on the basis of his proposition,pursuing the aftertaste of the poems,making his late works achieve a plain but profound aesthetic realm.
引文
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(1)《优古堂诗话》云,“此唐人贾至诗也,山谷特改五字耳”。