以纳西族东巴文“青蛙”字体特征的儿童家具设计
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摘要
随着我国家具市场行业的发展,其包容性也逐渐增强,家具产品的造型设计呈现出多样化特点,别具风格而又带有民族特色的家具产品越来越受到消费群体的青睐。在此背景下,笔者以纳西族东巴文"青蛙"元素进行儿童家具设计,在坚持以人为本的原则下,遵从儿童的行为习惯、心理特征等要素,将东巴文"青蛙"笔画形态与儿童凳、沙发及现代衣架进行造型的融合。同时,兼顾理论与实践,以设计的具体流程贯穿行文,总体展现东巴文元素在现代家具造型设计中的应用方式,对民族文化融入的现代家具造型设计研究进行探索。
With the development of China's furniture market, its inclusiveness has been gradually strengthened. The shape design of furniture products shows diversified characteristics. Furniture products with unique style and national characteristics are increasingly favored by consumers. In this context, the author designs children's furniture with the element of "frog" in Dongba Character in Naxi Nationality, adheres to the principle of people-oriented, obeys the elements of children's behavior habits and psychological characteristics, and integrates the brushwork form of "frog" in Dongba character with children's stools, sofas and modern hangers. At the same time, taking into account both theory and practice, the specific process of design runs through the text. The overall application of Dongba Character elements in modern furniture modelling design is shown, and the modem furniture modelling design research integrated with national culture is explored.
With the development of China's furniture market, its inclusiveness has been gradually strengthened. The shape design of furniture products shows diversified characteristics. Furniture products with unique style and national characteristics are increasingly favored by consumers. In this context, the author designs children's furniture with the element of "frog" in Dongba Character in Naxi Nationality, adheres to the principle of people-oriented, obeys the elements of children's behavior habits and psychological characteristics, and integrates the brushwork form of "frog" in Dongba character with children's stools, sofas and modern hangers. At the same time, taking into account both theory and practice, the specific process of design runs through the text. The overall application of Dongba Character elements in modern furniture modelling design is shown, and the modem furniture modelling design research integrated with national culture is explored.
引文
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[2]代雅赤.东巴文设计应用研究[D].云南艺术学院,2014.
[3]肖思雯,何人可.基于线性元素情感分析的餐厅吊灯外观设计[J].包装工程,2018(20):242-247.
[4]苗艳凤,徐璐,申立乾.基于亲子互动的儿童家具设计[J].林业工程,2017,44(08):42-46.
[5]方婷.东巴文字的视觉特性及其在造型设计中的运用[J].艺术百家,2010,26(s1):118-120.
[6]李婷翠.趣味益智性儿童家具形态设计[J].佳木斯教育学院学报,2013(06):126:78-80.
[7]于历战,胡钰铭.高校学生宿舍家具的人性化设计—以清华大学为例[J].装饰,2018(05):96-99.
[8]廖霞.趣味性和益智性儿童家具设计研究[J].包装工程,2014(18):53-56.
[9]毛素纯,刘文海,戴向东.黎锦蛙纹在家居布艺饰品中的创新设计研究[J].家具与室内装饰,2017(03):92-93.
[10]吴展齐.中国篆书艺术形态在现代家具造型设计中的应用研究[J].家具与室内装饰,2018,(05):22-23.
[11]柯清,张亚池,朱婕.探索当代新中式原创家具设计发展之路[J].家具与室内装饰,2014(02):14-15.
[12]尤毅恒,干静,张晶等.傣族元素应用于家居产品设计的研究[J].家具与室内装饰,2017(01):31-33.
[13]张倩玉,黄素涌.文字在现代家具设计中的应用[J].家具,2018(03):52-56.
[14]钟振亚,申黎明.基于行为特征的老年人家具设计浅析[J].林产工业,2018,45(5):68-70.