《红玫瑰与白玫瑰》中的爱情想象和爱情之谜
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摘要
《红玫瑰与白玫瑰》中的爱情故事包含着作为欲望主体男女的种种爱情想象,在男女主人公的爱情游戏中,语言一直充当着接近爱情真相又背离其真相的角色,交流成为传递爱情的途径同时也造成主体的异化。佟振保、王娇蕊二人爱情的破裂既有世俗的因素,更多的是欲望主体不同的爱情选择和爱情想象所带来的倒错,其背后的真相是男女在爱情中处境的不同,两性关系中女人的特殊困境,以及两性理解的不可能性等等。
The love story in "The Red and White Rose"contains all sorts of subjects of desire and imagination among them. In the heroine of the love game,language always acts as both the roles of closing and against love truth. Communication acts as the approach of passing love,meanwhile making the difference of heroines.The breaking reason of Tong Zhenbao and Wang Jiaorui's love has the secular factors,and the mistake by the different desire subjects of their choice and imagination. The truth between them is the distinct situation in love,female difficult environment and the impossibility of two sex understanding.
The love story in "The Red and White Rose"contains all sorts of subjects of desire and imagination among them. In the heroine of the love game,language always acts as both the roles of closing and against love truth. Communication acts as the approach of passing love,meanwhile making the difference of heroines.The breaking reason of Tong Zhenbao and Wang Jiaorui's love has the secular factors,and the mistake by the different desire subjects of their choice and imagination. The truth between them is the distinct situation in love,female difficult environment and the impossibility of two sex understanding.
引文
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[2][15][法]拉康.褚孝泉,译.拉康选集[M].上海:上海三联书店,2001:626,275.
[3][4][6][7][8][11][17]张爱玲.张爱玲精选集[M].北京:北京燕山出版社,2006:75-76,64,73,73,76,75-76,63.
[5][英]伊丽莎白·赖特.王文华,译.拉康与后女性主义[M].北京:北京大学出版社,2005:109.
[9][法]巴迪欧.爱的多重奏[M].上海:华东师范大学出版社,2012:64.
[10][12][13][14][法]纳塔莉·沙鸥.欲望伦理拉康思想引论[M].桂林:漓江出版社,2013:65,65,64,24.
[16][18][法]罗兰·巴特.王耀进,武佩荣,译.恋人絮语[M].上海:上海人民出版社,2016:1,2.