摘要
苏童的小说《红粉》中以独特的视角塑造了新旧社会交替的边缘女性,给予女性充分的身体话语空间,通过秋仪和小萼苦难身体的书写来揭露被权力规训的异化的社会现实。结合所处时代背景下的中国启蒙现象,小说中以小萼和秋仪为代表的女性,表现出身体与启蒙的多维关系。从身体主义哲学理论出发,探究启蒙对于女性身体与灵魂自由的意义。
Su Tong's novel "Red Pink" has created a unique perspective on the fringe of the old and new social, giving women full body discourse space, exposing the alienated society under the power discipline through the writing of Qiuyi and Xiaoyu's suffering body. reality. Combined with the Chinese enlightenment in the context of the times, the women represented by Xiao Yan and Qiu Yi in the novel show the multidimensional relationship between the body and the enlightenment. Starting from the philosophy of physicalism, explore the significance of enlightenment to the freedom of women's body and soul.
引文
[1]苏童.红粉[M].北京:中国青年出版社,2003.
[2](法)米歇尔·福柯.规训与惩罚[M].刘北成,杨远婴,译.北京:生活·读书·新知三联书店,2012.
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[6]汪民安.身体的文化政治学[M].开封:河南大学出版社,2004.