摘要
苏区文艺是在特殊的革命战争环境中产生和发展起来的。作为苏区发行量和影响力最大的中共中央机关报,《红色中华》开辟了多种文艺专栏,发表了大量反映苏区革命斗争和现实生活的杂文、漫画、散文、戏剧、诗歌和评论。这些文艺创作和理论批评卓有成效地构建了苏区文艺的阵地,引领了苏区文艺的发展方向,为苏区革命斗争和文艺大众化运动做出了突出贡献。
Chinese Soviet literature and art generated and developed in the special conditions of revolutionary war.As the official newspaper of the CPC Central Committee and the most influential and widely circulated newspaper in the Soviet Area,Red China had set kinds of column to published plenty of essays,caricatures,proses,dramas,poetry and comments to reflected the revolutionary war and real life here.These literary creations and theoretical criticisms had effectively built a literary position of the Soviet Area,led the direction of the Soviet Area literature and made outstanding contributions for revolutionary war and the popular movement of literature in the Soviet Area.
引文
[1]写在革命画集前面[G]//革命画集.瑞金:红色中华报社,1933.
[2]“编者附记”[N].红色中华,1933-04-02.
[3]毛泽东文集:第1卷[M].北京:人民出版社,1993.
[4]写在前面[N].赤焰,1933-04-23.
[5]工农剧社纪念“八一”的晚会[N].红色中华,1933-08-04.
[6]微明.《谁的罪恶》的演出及其脚本[N].红色中华,1933-08-16.
[7]编者附记[N].红色中华,1933-08-21.
[8]阿伪.提高戏剧运动到列宁的阶段[N].红色中华,1933-09-15.
[9]编者后记[N].红色中华,1933-09-18.
[10]写在前面[N].赤焰,1933-04-23.
[11]瞿秋白选集[M].北京:人民出版社,1985.
[12]博古.愿《红色中华》成为集体的宣传者和组织者[N].红色中华,1933-08-10.
[13]洛甫.使《红中》更变为群众的报纸[N].红色中华,1933-08-10.
[14]卡鲁斯卡娅.自由的刊物[N].红色中华,1933-08-10.
[15]写给通讯员[N].红色中华,1933-07-11.