武术审美体系形成的三维论略
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摘要
基于哲学视域,运用文献研究、逻辑分析和对比分析等方法对武术审美体系形成路径进行学理性探索。研究认为,武术审美是诉诸于主客体间的交互作用而产生;以武术形象和技术结构的丰富与创建作为审美对象,除其自身具备美的特征以外,还要诉诸于审美主体情感传递作用并予以调控;以形神表达、虚实手段和情景呈现反作用于武术审美客体,使其呈现出寓情于景的效果,进而达到武术审美体系的多元化融合。
Based on the perspective of philosophy, by using methods such as literature study, logic analysis and comparative analysis, the authors carried out an academic exploration into the Wushu aesthetic system formation path, and drew the following conclusions: Wushu aesthetics is produced by the interaction between the subject and the object; based on the enrichment and establishment of the Wushu image and technical structure as the aesthetic object, beside that itself has beauty characteristics, it needs the aesthetic subject's emotion delivery function and regulation; reacting on the Wushu aesthetic objet via form and spirit expression, virtual and real means and scenario presentation, so that it presents an effect of emotion embodying in the scenario, thus achieving the diversified fusion of the Wushu aesthetic system.
Based on the perspective of philosophy, by using methods such as literature study, logic analysis and comparative analysis, the authors carried out an academic exploration into the Wushu aesthetic system formation path, and drew the following conclusions: Wushu aesthetics is produced by the interaction between the subject and the object; based on the enrichment and establishment of the Wushu image and technical structure as the aesthetic object, beside that itself has beauty characteristics, it needs the aesthetic subject's emotion delivery function and regulation; reacting on the Wushu aesthetic objet via form and spirit expression, virtual and real means and scenario presentation, so that it presents an effect of emotion embodying in the scenario, thus achieving the diversified fusion of the Wushu aesthetic system.
引文
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[14]宗白华.美学散步[M].上海:上海人民出版社,2001:70.
[2]邱丕相.武术套路运动的美学特征与艺术性[J].上海体育学院学报,2004,28(2):39-43.
[3]胡家祥.审美学[M].北京:北京大学出版社,2000:66.
[4]安徽省武术挖掘整理组.安徽省武术拳械录(一)[Z]安徽省体育运动委员会,1986:71.
[5]闫民,邱丕相.象形武术--一种用身体表达的动态文化符号[J].上海体育学院学报,2007,31(4):48-52.
[6]湖南省体委武术挖掘组.湖南武术拳械录[Z].湖南省体育运动委员会,1992.
[7]闫民.武术象形文化研究[D].上海:上海体育学院,2008.
[8]张方.虚实掩映之间[M].南昌:百花洲文艺出版社,2009:97.
[9]戴国斌.武术的仿生性生产[J].上海体育学院学报,2009,33(6):6-10.
[10]王岗.中国武术技术要义[M].太原:山西科学技术出版社,2009:40.
[11]林荫生.福建武术拳械录[M].北京:人民体育出版社,2011:356.
[12]李富刚.意境:武术套路追求的审美理想[J].中国体育科技,2016,52(4):3-12.
[13]吴松,王岗,朱益兰.武术意境--中国武术艺术理论初探[J].体育学刊,2013,20(2):99-102.
[14]宗白华.美学散步[M].上海:上海人民出版社,2001:70.