丝绸之路艺术中的中国“狮型翼兽”造型探源
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摘要
丝绸之路贯通了古代亚欧地区的物质、文化交流,并以不同民族艺术形式表现世界性艺术主题。"狮型翼兽"在西亚、埃及、欧亚草原等地区都有发现,随着丝绸之路的开辟,"狮型翼兽"传入中国,并被进行本土化改造。造型艺术形象嬗变的背后是千年人类社会历史的变迁,见证不同民族政治、经济的互动与宗教、文化的交流。
The Silk Road runs through the material and cultural exchanges of ancient Asia and Europe, and expresses the world's artistic themes in different national art forms. The "Lion-type Winged Beast" has appeared in the grasslands of West Asia, Egypt, and Europe and Asia. With the opening of the Silk Road, the "Lion-type Winged Beast" was introduced to China and was localized. Behind the transformation of the artistic image is the change of the history of the human society, witnessing the interaction of politics and economy of different ethnic groups, and the exchange of religion and culture.
The Silk Road runs through the material and cultural exchanges of ancient Asia and Europe, and expresses the world's artistic themes in different national art forms. The "Lion-type Winged Beast" has appeared in the grasslands of West Asia, Egypt, and Europe and Asia. With the opening of the Silk Road, the "Lion-type Winged Beast" was introduced to China and was localized. Behind the transformation of the artistic image is the change of the history of the human society, witnessing the interaction of politics and economy of different ethnic groups, and the exchange of religion and culture.
引文
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[2]OSVALD SIREN.Winged Chimeras in Early Chinese Art,E-astern Art,vol.1,1982.
[3]朱希祖.天禄辟邪考[J].六朝陵墓调查报告,南京:南京出版社,2010:251.
[4]腾固.六朝陵墓石迹述略[M]∥六朝陵墓调查报告,南京:南京出版社,2010.
[5]姚迁,古兵.南朝陵墓雕刻[M].北京:文物出版社,1981:1-5.
[6]杨泓,孙机.寻常的精致[M].沈阳:辽宁教育出版社,1996:155.
[7]陈少丰.中国雕塑艺术史[M].北京:岭南美术出版社,1998:290.
[8]李零.论中国的有翼神兽[J].中国学术,2001,(1):132.
[9]李零.入山与出塞[J].文物,2000,(2).
[10]泉屋清赏新编[M].京都:便利堂,1962:11-13
[11]馨墓--战国中山国国王之墓[M].北京:文物出版社,1995:143.
[12]后汉书[M].北京:中华书局,1982:353.
[13]宋岚.中国狮子图像的渊源探究[D].南京:南京艺术学院,2011:27.
[14]曾布川宽.六朝帝陵--以石兽和砖画为中心[M].南京:南京出版社,2004:26-28.
[15]尚永琪.莲花上的狮子--内陆欧亚的物种、图像与传说[M].北京:商务印书馆,2012:28-29.
[16]程金城.丝绸之路艺术的价值及意义--兼及“丝绸之路艺术学”刍议[J].兰州大学学报(社会科学版),2017,(2):63-68.
[17]陈怀宇.动物与中古政治宗教秩序[M].上海:上海古籍出版社,2012:260-281.
[18]中亚文明史[M].2002.
[19]H.W.詹森,J.E.戴维斯,等,著.艺术史组合翻译实验小组,译.詹森艺术史[M].后浪出版公司,41.
[20]П.Б.Коновалов??.ΧyннyвЗабайкалье,Улан-Удэ,1976:25-80.
[21]乌恩岳斯图.北方草原考古学文化比较研究--青铜时代至早期匈奴时期[M].北京:科学出版社,2008:316.
[22]西汉南越王墓[M].北京:文物出版社,1991.
[23]修·昂纳(Hugh Honour),约翰·弗莱明(John Fleming),著.吴介祯,等,译.世界艺术史[M].北京:北京美术摄影出版社,2015:97.
[24]张法.狮子形象:文化互动与汉译三名--狮子与中华文化性格研究之一[J].美育学刊,2018,(5).
[25]林少雄.丝绸之路的文化意蕴[J].兰州大学学报(社会科学版),2018,(2).