摘要
叶小纨及其作品《鸳鸯梦》的出现与传世,填补了中国戏剧史上女性书写创作戏曲的空白。为了进一步解读《鸳鸯梦》,通过对现有文献资料的调查整理,结合文本内容以求更深入地对《鸳鸯梦》中以"鸳鸯"为题眼的创作意图进行合理的分析,指出剧中表层借"鸳鸯"表达的兄弟情谊,深层则抒发了叶小纨对逝去姐妹强烈追思和哀痛。同时依托前人关于女性戏曲中性别置换的研究,将叶小纨的生平经历与作品内容进行合理的联想,以此探究叶小纨在"鸳鸯"意象下体现的性别置换,指出作品中人物内外核身份形象的置换、外化的兄弟情谊与内化的姐妹情谊的转换实际上是一种"隐形"的性别置换。
The appearance and handing down of Ye Xiaowan and her work "The Nightmare"filled the blank of women creative drama in the history of Chinese drama. In order to further interpret the "the dream of mandarin duck",through the investigation and collation of existing literature materials,combined with the text content in order to make a more in-depth analysis of the creative intentions of "mandarin duck"in the "the dream of mandarin duck"as the title of the eye. He pointed out that the brotherhood of the surface in the play was expressed through the "mandarin duck",and deep in the story expresses Ye Xiaowan's strong memory and sorrowfor the passing sisters. At the same time,relying on the ancients' research on the gender transition of women in operas,we rationalized the life experience of Ye Xiaowan with the works. This explores the gender transformation embodied in Ye Xiaowan' s image under the "mandarin duck"image and points out that the conversion of the inside and outside of the characters and the image of the identity,the externalized brotherhood and the transformation of the internalized sisterhood are actually "invisible"gender conversion.
引文
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