岭南画派“新国画”运动及其艺术文献研究述要——以“岭南三杰”艺术文献研究为例
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摘要
岭南画派艺术文献是承载与记录岭南画派美学思想、美术观念、美术风格及其嬗变轨迹的文化载体。文章从"岭南三杰"艺术文献研究视觉,阐释"岭南三杰"的"新国画"思想、"新国画"运动实践及学界对"岭南三杰"的研究现状,从而解读岭南画派"艺术革命"与"折衷中西,融汇古今"的艺术主张,考察岭南画派"新国画"运动轨迹,探讨岭南画派艺术文献研究途径。
Lingnan School of Painting founded in the early twentieth Century is famous and an important branch of Lingnan culture. It advocated the "New Chinese Painting"movement by the ideas of "Art Revolution",and promoted the progress of modern fine arts in China. The art literature of Lingnan School of Painting is a culture tool of recording its coming into being and development. The essay tries to state the "New Chinese Painting"idea and movement by researching the art literature of "Lingnan three masters",and studies the development of Lingnan School of Painting,and the approaches to literature of the characteristic subject and regional fine arts.
Lingnan School of Painting founded in the early twentieth Century is famous and an important branch of Lingnan culture. It advocated the "New Chinese Painting"movement by the ideas of "Art Revolution",and promoted the progress of modern fine arts in China. The art literature of Lingnan School of Painting is a culture tool of recording its coming into being and development. The essay tries to state the "New Chinese Painting"idea and movement by researching the art literature of "Lingnan three masters",and studies the development of Lingnan School of Painting,and the approaches to literature of the characteristic subject and regional fine arts.
引文
[1]高剑父.我的现代绘画观[M]∥广州美术学院岭南画派研究室.岭南画派研究:第1辑.广州:岭南美术出版社,1987:1-20.
[2]李伟铭.高剑父及其新国画理论——《高剑父诗文初编》前言[M]∥李伟铭.图像与历史——20世纪中国美术论稿.北京:中国人民大学出版社,2005:128-147.
[3]李伟铭.我的好奇心——岭南画派研究札记[M]∥李伟铭.传统与变革:中国近代美术史事考论.北京:商务印书馆,2015:1-8.
[4]高剑父.复兴中国画十年计划[M]∥李伟铭.高剑父诗文初编.广州:广东高等教育出版社,1999:285-288.
[5]高剑父.写在庆祝美术节前[N].中山日报:美术节特刊,1947-03-25.
[6]李公明.高奇峰艺术论[M]∥广州美术学院岭南画派研究室.岭南画派研究:第1辑.广州:岭南美术出版社,1987:104-113.
[7]高奇峰.画学不是一件死物[M]∥高奇峰.高奇峰先生荣哀录.南京:奇峰图书馆,1935.
[8]于风.对岭南画派的几点认识[J].美术学报,2006(1):2-10.
[9]陈树人.《新画法》跋[J].真相画报,1913(17):12.
[10]陈树人.《美术概论》译者志[J].时事画报,1908(9):11.
[11]李伟铭.一种日本近代美术史观的中国之旅:从《绘画独习书》到《新画法》《新画训》——兼议黄宾虹与《新画法》的关系[M]∥李伟铭.传统与变革:中国近代美术史事考论.北京:商务印书馆,2015:249-274.
[12]高剑父.本报约章[J].时事画报,1905(创刊号):1.
[13]陈树人.寄怀高剑父一百韵[M]∥陈树人.战尘集.上海:商务印书馆,1946.
[14]李伟铭.高剑父“留学”日本考[M]∥李伟铭.传统与变革:中国近代美术史事考论.北京:商务印书馆,2015:9-5.
[2]李伟铭.高剑父及其新国画理论——《高剑父诗文初编》前言[M]∥李伟铭.图像与历史——20世纪中国美术论稿.北京:中国人民大学出版社,2005:128-147.
[3]李伟铭.我的好奇心——岭南画派研究札记[M]∥李伟铭.传统与变革:中国近代美术史事考论.北京:商务印书馆,2015:1-8.
[4]高剑父.复兴中国画十年计划[M]∥李伟铭.高剑父诗文初编.广州:广东高等教育出版社,1999:285-288.
[5]高剑父.写在庆祝美术节前[N].中山日报:美术节特刊,1947-03-25.
[6]李公明.高奇峰艺术论[M]∥广州美术学院岭南画派研究室.岭南画派研究:第1辑.广州:岭南美术出版社,1987:104-113.
[7]高奇峰.画学不是一件死物[M]∥高奇峰.高奇峰先生荣哀录.南京:奇峰图书馆,1935.
[8]于风.对岭南画派的几点认识[J].美术学报,2006(1):2-10.
[9]陈树人.《新画法》跋[J].真相画报,1913(17):12.
[10]陈树人.《美术概论》译者志[J].时事画报,1908(9):11.
[11]李伟铭.一种日本近代美术史观的中国之旅:从《绘画独习书》到《新画法》《新画训》——兼议黄宾虹与《新画法》的关系[M]∥李伟铭.传统与变革:中国近代美术史事考论.北京:商务印书馆,2015:249-274.
[12]高剑父.本报约章[J].时事画报,1905(创刊号):1.
[13]陈树人.寄怀高剑父一百韵[M]∥陈树人.战尘集.上海:商务印书馆,1946.
[14]李伟铭.高剑父“留学”日本考[M]∥李伟铭.传统与变革:中国近代美术史事考论.北京:商务印书馆,2015:9-5.